Image of an Akan African ornament depicting a face made of gold.
Image of an Akan African ornament depicting a face made of gold.
Lectures

64th FAAAA Annual Meeting

Wednesday, August 12
6 PM

Ticket Details

Free with General Admission
Location

Lecture Hall

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Buy General Admission Tickets
Tri-County Residents get in free with ID

The Friends of African and African American Art (FAAAA) invite you to their 64th Annual Meeting, featuring a public lecture by Raymond Silverman, PhD, “Forests of Gold: Exploring the History of Things Made of Metal in Ghana.” 

The Akan region of southern Ghana holds some of the world’s richest deposits of gold. The precious metal began being mined and exported at least as early as the fourteenth century, when merchants from the ancient empire of Mali, in the interior of West Africa, arrived at the northern edge of the Akan forest. They carried with them commodities to exchange for gold, including luxurious brass bowls and basins made in Mamluk Egypt. These items and the related introduction of the technology (lost-wax casting) associated with their manufacture provided the basis for a rich and varied metalworking tradition that continues to the present day. This evening’s talk, featuring peices from the DIA’s fine collection of Akan metalwork, explores the history of this tradition, examining a range of distinctive objects, including nkuduo (vessels for holding gold), paraphernalia for weighing gold, and political regalia used by Akan chiefs.

Free with general admission. Reception to follow.

 

Akan, African, Ornament, between 19th and 20th century, gold. Detroit Institute of Arts, Founders Society Purchase, African Art Fund, 76.26.

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Schedule
6 - 7 PM
"Forests of Gold" Lecture by Raymond Silverman, PhD
7 - 7:30 PM
FAAAA 64th Annual Business Meeting Presentation
7:30 - 8:30 PM
Reception
Lectures

64th FAAAA Annual Meeting

Wednesday, August 12
6 PM

Ticket Details

Free with General Admission
Buy General Admission Tickets
Tri-County Residents get in free with ID
Location

Lecture Hall

See on Map Hide Map
Raymond Silverman headshot.
Raymond Silverman, PhD
Raymond Silverman, a historian of the visual cultures of Africa, is professor emeritus of History of Art, African Studies, and Museum Studies at University of Michigan. Throughout his career, he has been interested in the movement of ideas and objects through space and time and the ways in which the transmission of object-centered knowledge shapes societies. His research and writing explore historical and contemporary visual practices associated with metalworking and spirituality in Ghana, Ethiopia and Côte d'Ivoire, and museum and heritage discourse in Africa. Silverman’s recent work focuses on the visual culture of the Ethiopian Orthodox Church in the twentieth and twenty-first centuries: Ethiopian Church Art: Painters, Patrons, Purveyors (2022). Additional publications include a special issue of Ghana Studies titled, Looking Back, Looking Forward: Visual Art Studies in Ghana (2022), National Museums in Africa: Identity, History and Politics (2021), Museum as Process: Translating Local and Global Knowledges (2015), Painting Ethiopia: The Life and Work of Qes Adamu Tesfaw (2005), and Ethiopia: Traditions of Creativity (1999).
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Friends of African & African American Art

FAAAA are committed to raising public awareness and appreciation for the artistic legacy of indigenous Africans and peoples of the African Diaspora.