Armor in the Gothic Style

c. 1485 and later

Lorenz Helmschmid German, active 1467 - 1515/16

Not On View

Armor in the Gothic Style: 1 of Collection Gallery

Armor in the Gothic Style: 2 of Collection Gallery

Armor in the Gothic Style: 3 of Collection Gallery

Armor in the Gothic Style: 4 of Collection Gallery

Armor in the Gothic Style: 5 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Armor in the Gothic Style

Artwork Date c. 1485 and later

Artist Lorenz Helmschmid

Life Dates active 1467 - 1515/16

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. German

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Steel, copper alloy, leather

Dimensions Installed: 71 × 28 1/2 × 26 1/4 inches (180.3 × 72.4 × 66.7 cm)

Classification Arms and Armor

Department European Sculpture and Dec Arts

Credit Gift of William Randolph Hearst Foundation

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. V2019.7

Markings

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Provenance

Princes Hohenzollern-Sigmaringen, Schloss Sigmaringen, Baden-Württemberg;
Arnold Seligmann, Rey & Co., Inc. (dealer), New York (1929);
William Randolph Hearst, Los Angeles (by 1930);
William Randolph Hearst Foundation (by 1951);
Detroit Institute of Arts, Gift of the William Randolph Hearst Foundation

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Comstock, Helen. "The Connoisseur in America." Connoisseur 122, no. 516 (December 1948): 118–124, p. 118 (ill.).

Robinson, Francis W. "A Gift of Arms and Armor from the Collection of William Randolph Hearst." Bulletin of the Detroit Institute of Arts 33, no. 1 (1953-54): 1–5, pp. 2, 4 (ill.).

Gamber, Ortwin. "Der Turnierharnish zur Zeit König Maximilians I, und das Thunsche Skizzenbuch." Jahrbuch der Kunsthistorischen Sammlungen in Wien 53 (1957): 3–70, pp. 43, 46, figs. 51–53 (ill.).

Levkoff, Mary L. Hearst, the Collector. Exh. cat., Los Angeles County Museum of Art. Los Angeles, 2008, pp. 159–160, cat. 20 (ill.) [entry by S. Pyrhh]

Quérée, Jennifer. “The Invisible Knight: A Journey of Discovery.” Records of the Canterbury Museum 25 (2011), pp. 67–89; pp. 76–78, fig. 11 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.