The Burning of Troy

between 1570 and 1574

Fontana Workshop Italian, 1500-1700

On View

European: Medieval and Renaissance, Level 2, West Wing

The Burning of Troy: 1 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Burning of Troy

Artwork Date between 1570 and 1574

Artist Fontana Workshop

Life Dates 1500-1700

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Tin-glazed earthenware with polychrome decoration

Dimensions Overall: 3 3/16 × 18 1/4 inches diameter (8.1 × 46.4 cm)

Classification Ceramics

Department European Sculpture and Dec Arts

Credit Founders Society Purchase with funds from Mr. and Mrs. Ernest Kanzler in memory of Mrs. William Clay

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 61.168

Markings

Inscriptions Inscribed, on bottom in underglaze blue: G.V.V.D. | Munus .F. Andrea | Volaterrano . | L'incendio de Troia : [translated: The gift of Guido Ubaldo, Duke of Urbino, to Brother Andrea of Volterra. The Burning of Troy]

Marks Marks, on bottom: [faded marks in grey or brown] Marks, on bottom: 61.168

Provenance

Guidobaldo, Duke of Urbino;
gift to Fra Andrea Ghetti da Volterra;
by 1844, Geremia Delsette (Bologna, Italy);
by 1857, Alexander Barker (London, England);
Baron Gustave Rothschild (Paris, France);
acquired by his grandson, Baron Lambert;
Baroness Lambert (New York, New York, USA);
1941, Rothschild-Lambert sale, lot 127.
(French and Co., New York, New York, USA);
1961-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Pryor, J. "A Gift of Maiolica Ware." Bulletin of the DIA 41, no. 1 (1961): pp. 13-15, p. 16 (ill.).

Wethey, A. "A Historiated Majolica Serving Platter" Bulletin of the DIA 58, no. 1, 1980, pp. 37-42, p. 36 (ill.).

Wilson, Timothy. "La maiolica a Castel Durante e ad Urbino fra il 1535 e il 1565: alcuni corredi stemmati." In I Della Rovere nell'Italia delle corti, vol. 4, Arte della maiolica, ed. Gian Carlo Bojani. Urbino, 2002, pp. 125-127 (ill.), 151.

Bulletin of the DIA 87, no. 1/4: Italian Renaissance and Later Ceramics (2013): no. 18.

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Catalogue Raisoneé

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Credit Line for Reproduction

Fontana Workshop, The Burning of Troy, between 1570 and 1574, tin-glazed earthenware with polychrome decoration. Detroit Institute of Arts, Founders Society Purchase with funds from Mr. and Mrs. Ernest Kanzler in memory of Mrs. William Clay, 61.168.