Vase with Carnations

1886

Vincent van Gogh Dutch, 1853-1890

On View

Modern, Level 2, Central Wing

Vase with Carnations: 1 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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About the Artwork

Title Vase with Carnations

Artwork Date 1886

Artist Vincent van Gogh

Life Dates 1853-1890

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Dutch

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 18 1/4 × 15 1/8 inches (46.3 × 38.4 cm) Framed: 24 1/2 × 21 1/4 × 1 1/2 inches (62.2 × 54 × 3.8 cm)

Classification Paintings

Department European Modern Art to 1970

Credit Bequest of Catherine Kresge Dewey

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2019.20

Markings

Inscriptions ------

Provenance

(J.P. Schneider, Frankfurt am Main, Germany), by 1909

bought by Albert Ullmann [1862-1912] and Hedwig Ullmann [born Nathan, later Ullin] [1872-1945] (Frankfurt am Main, Germany, and Melbourne, Australia), 1909

transferred by Hedwig Ullmann to Kunsthalle Basel, Basel, Switzerland, as a deposit, August 25, 1931

per Hedwig Ullmann's instructions, shipped by Kunsthalle Basel to (Emil Hirsch, New York, New York, USA), March 10, 1939. William [1903-1969] and Edith [1905-1988] Goetz (Los Angeles, California, USA), prior to or in 1947

bought by (Wildenstein & Co., New York, New York, USA), 1947

bought by Catherine Kresge [Mrs. Charles B. Murphy, later Catherine Kresge Dewey] [1908-1990] (Detroit, Michigan, and East Hampton, Suffolk County, New York, USA), 1950

bequeathed to the Detroit Institute of Arts (Detroit, Michigan, USA), 1990

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Dorn, R. and W. Feilchenfeldt. "Genuine or fake? On the history and problems of Van Gogh connoisseurship," The Mythology of Vincent van Gogh, ed. Kodera Tsukasa, Eng. ed. Y. Rosenberg. Tokyo/ Amsterdam/Philadelphia: Asahi National Broadcasting Co. Ltd. and John Benjamins B.V., 1993, p. 280, (fig. 167a) [obverse in color], (fig. 167b) [reverse].

Bailey, M. "Van Gogh the Fakes Debate," Apollo (January 2005): pp. 55-63, esp. p. 59, no. 17, (repr.).

Van Gogh: Still Lifes. Exh. cat., Museum Barberini. Potsdam, 2019, pp. 152-154, cat. 10 (ill.).

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