Seated Woman

ca. between 1898 and 1902

Jean-Léon Gérôme French, 1824-1904

On View

Modern, Level 2, North Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Seated Woman

Artwork Date ca. between 1898 and 1902

Artist Jean-Léon Gérôme

Life Dates 1824-1904

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Marble, pigment, wax

Dimensions Overall: 16 15/16 × 13 3/4 × 13 3/4 inches (43 × 35 × 35 cm)

Classification Sculpture

Department European Sculpture and Dec Arts

Credit Founders Society Purchase, Robert H. Tannahill Foundation Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1997.1

Markings

Signed Signed, left side of base: J. L. GEROME

Provenance

Aimé Morot [1850-1913] (Paris, France).
by 1996 (Galerie Elstir, Paris);
1997-present, sold to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

"La chronique des arts. Principales acquisitions des musées en 1997." Gazette des Beaux-Arts (March 1998): p. 64, no. 256 (ill.).

Ackerman, Gerald M. Jean-Léon Gérôme: Monographie révisée, catalogue raisonné mis à jour. Paris, 2000, pp. 195 (ill.), 197, 404, no. S.70 (ill.).

Darr, Alan and T. Albainy, "Acquisitions of European sculpture and decorative arts at the Detroit Institute of Arts, 1988 - 1999," The Burlington Magazine 142 (June 2000), p. 412, pl. XXIII (ill.).

Sotheby's Paris, "Tableaux et Dessins du XIX Siècle," June 25, 2008, addendum concerning lot 38, p. 16 (ill.).

des Cars, Laurence, Dominique de Font-Réaulx, and Édouard Papet, eds. Jean-Léon Gérôme (1824–1904). L’histoire en spectacle. Exh. cat., J. Paul Getty Museum, Musée d’Orsay, and Museo Thyssen-Bornemisza. Paris, 2010, pp. 295, 319, cat. 186 (ill.).

des Cars, Laurence, Dominique de Font-Réaulx, and Édouard Papet, eds. The Spectacular Art of Jean-Léon Gérôme (1824–1904). Exh. cat., J. Paul Getty Museum, Musée d’Orsay, and Museo Thyssen-Bornemisza. Paris, 2010, pp. 294, 319, cat. 186 (color ill.).

Syson, Luke, Sheena Wagstaff, Emerson Bowyer, and Brinda Kumar. Like Life: Sculpture, Color, and the Body. Exh. cat., Metropolitan Museum of Art. New York, 2018, pp. 214, 248 (fig. 106).

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Catalogue Raisoneé

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Credit Line for Reproduction

Jean-Léon Gérôme, Seated Woman, ca. between 1898 and 1902, marble, pigment, wax. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, 1997.1.