About the Artwork
The extraordinary position of the figure creates an abstract composition in this large painting based on sketches of sailors working out in a Stockholm bathhouse. By his use of thinly brushed paint applied directly from the tube and by outlining the figure in blue, Jansson further abstracts the dramatic presentation of the foreshortened arching figure in an athletic pose that seems to defy gravity.
Ring Gymnast No. 2
1912
Eugene Jansson
1862-1915
Swedish
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Oil on canvas
Unframed: 75 1/4 × 79 5/8 inches (191.1 × 202.2 cm) Framed: 82 1/2 × 87 × 1 3/4 inches (209.6 × 221 × 4.4 cm)
Paintings
European Modern Art to 1970
Founders Society Purchase, Robert H. Tannahill Foundation Fund
1990.291
Copyright Not Evaluated
Markings
Signed and dated, lower right: EugeneJansson | 1912
Provenance
Estate of the Artist;1983, (Julian Hartnoll, London, England);
(Peter Nahum, London, England);
1990-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Norstedt & Soner. 1920, catalogue raisonne no. 136, ill. p. 129.
Wollin, N. G. Eugène Janssons Maleri. Stockholm, 1928, pp. 129, 187, cat. 136, repr.
London, Mason's Yard, Julian Hartnoll. "Eugène Jansson The Bath-house Period Badhusperioden", Sept. 26-October 14, 1983, (unpaginated), cat. 7, repr.
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Credit Line for Reproduction
Eugene Jansson, Ring Gymnast No. 2, 1912, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, 1990.291.
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