Mrs. Clark Gayton

John Singleton Copley American, 1738-1815
On View

in

American, Level 2, West Wing

  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

    Provenance page
  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

    Suggest Feedback
  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

    Suggest Feedback
  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

  • Audio Transcript

    Please note: This section is empty

About the Artwork

Elizabeth Legge Gayton (ca. 1748 – 1809) sits in elegant, relaxed repose. She rests on her left elbow, holding a brush in her right hand to suggest that she was only recently painting on the sheets of paper gathered in a loose folio at her side. A red geranium blooms in silhouette against the open window. Native to southern Africa, that flower had to be carefully protected from the cold English weather. The artist used these details to signal Gayton’s refinement, worldliness, and prosperity.

American artist John Singleton Copley painted this domestic portrait in London to hang alongside his naval portrait of Elizabeth’s new, significantly older husband Admiral Clark Gayton (1712 – 1785). In his portrait (National Maritime Museum, Greenwich, United Kingdom), Admiral Gayton stands next to a table piled with nautical charts, in front of British naval ships on a stormy sea.

Mrs. Clark Gayton

1779

John Singleton Copley

1738-1815

American

----------

Oil on canvas

Unframed: 50 × 40 inches (127 × 101.6 cm) Framed: 58 5/8 × 48 3/4 × 3 7/8 inches (148.9 × 123.8 × 9.8 cm)

Paintings

American Art before 1950

Gift of Mr. D. J. Healy

27.556

Public Domain

Markings

Signed and dated, middle right: J. S. Copley, fec. 1779

At center right, J. S. Copley, fec. 1779

Provenance

1779-1809, the sitter, Mrs. Clark Gayton;
1809-1822, her third husband, Reverend James Pigott;
his daughter, Lydia Pigott [Mrs. William Thresher] (Fareham, Hampshire, England); Captain W. Thresher (R.N., Avenue End, Fareham, Hampshire, England);
his niece, Lucy Mabel Thresher.
1922, O'Hagan sale (Christie's, lot 106, London, England).
(M. Knoedler Co., London, England).
1927, Woolworth sale, (lot 876, American Art Association);
1927, Metropolitan Galleries (New York, New York, USA);
1927-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Burroughs, Clyde. “A Portrait by Copley.” Bulletin of the DIA 9, 6 (March 1928): pp. 69-70 (ill.).

Bolton, Theodore and Harry Lorin Binsse. “John Singleton Copley.” Antiquarian 15 (December 1930): p. 116.

Heil, Walter and Clyde H. Burroughs. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts of the City of Detroit. Detroit, 1930, no. 285.

Richardson, Edgar P. “American Portrait Painting.” Bulletin of the DIA 14, 1 (October 1934): p. 11.

Prown, Jules D. John S. Copley 1774-1815. Cambridge, MA, 1966, pp. 275, 420 (fig. 384).

Shaw, Nancy Rivard, et al. American Paintings in the Detroit Institute of Arts, Volume I. New York, 1991, pp. 64-65 (ill.).

Ferguson, Patricia. "Indoor Gardening in the Eighteenth-Century." Antiques 155, 1 (January 1999): pp. 168-177 (ill.).

American Beauty: Painting and Sculpture from the Detroit Institute of Arts, 1770-1920. Exh. cat., Detroit Institute of Arts. Detroit, 2002, pp. 13-14, no. 6 (ill.).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

John Singleton Copley, Mrs. Clark Gayton, 1779, oil on canvas. Detroit Institute of Arts, Gift of Mr. D. J. Healy, 27.556.

Mrs. Clark Gayton
Mrs. Clark Gayton