About the Artwork
Elizabeth Legge Gayton (ca. 1748 – 1809) sits in elegant, relaxed repose. She rests on her left elbow, holding a brush in her right hand to suggest that she was only recently painting on the sheets of paper gathered in a loose folio at her side. A red geranium blooms in silhouette against the open window. Native to southern Africa, that flower had to be carefully protected from the cold English weather. The artist used these details to signal Gayton’s refinement, worldliness, and prosperity.
American artist John Singleton Copley painted this domestic portrait in London to hang alongside his naval portrait of Elizabeth’s new, significantly older husband Admiral Clark Gayton (1712 – 1785). In his portrait (National Maritime Museum, Greenwich, United Kingdom), Admiral Gayton stands next to a table piled with nautical charts, in front of British naval ships on a stormy sea.
Mrs. Clark Gayton
1779
John Singleton Copley
1738-1815
American
----------
Oil on canvas
Unframed: 50 × 40 inches (127 × 101.6 cm) Framed: 58 5/8 × 48 3/4 × 3 7/8 inches (148.9 × 123.8 × 9.8 cm)
Paintings
American Art before 1950
Gift of Mr. D. J. Healy
27.556
Public Domain
Markings
Signed and dated, middle right: J. S. Copley, fec. 1779
At center right, J. S. Copley, fec. 1779
Provenance
1779-1809, the sitter, Mrs. Clark Gayton;1809-1822, her third husband, Reverend James Pigott;
his daughter, Lydia Pigott [Mrs. William Thresher] (Fareham, Hampshire, England); Captain W. Thresher (R.N., Avenue End, Fareham, Hampshire, England);
his niece, Lucy Mabel Thresher.
1922, O'Hagan sale (Christie's, lot 106, London, England).
(M. Knoedler Co., London, England).
1927, Woolworth sale, (lot 876, American Art Association);
1927, Metropolitan Galleries (New York, New York, USA);
1927-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
Please note: This section is empty
The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
Suggest FeedbackPublished References
Burroughs, Clyde. “A Portrait by Copley.” Bulletin of the DIA 9, 6 (March 1928): pp. 69-70 (ill.).
Bolton, Theodore and Harry Lorin Binsse. “John Singleton Copley.” Antiquarian 15 (December 1930): p. 116.
Heil, Walter and Clyde H. Burroughs. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts of the City of Detroit. Detroit, 1930, no. 285.
Richardson, Edgar P. “American Portrait Painting.” Bulletin of the DIA 14, 1 (October 1934): p. 11.
Prown, Jules D. John S. Copley 1774-1815. Cambridge, MA, 1966, pp. 275, 420 (fig. 384).
Shaw, Nancy Rivard, et al. American Paintings in the Detroit Institute of Arts, Volume I. New York, 1991, pp. 64-65 (ill.).
Ferguson, Patricia. "Indoor Gardening in the Eighteenth-Century." Antiques 155, 1 (January 1999): pp. 168-177 (ill.).
American Beauty: Painting and Sculpture from the Detroit Institute of Arts, 1770-1920. Exh. cat., Detroit Institute of Arts. Detroit, 2002, pp. 13-14, no. 6 (ill.).
Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.
Suggest FeedbackCatalogue Raisoneé
Please note: This section is empty
Credit Line for Reproduction
John Singleton Copley, Mrs. Clark Gayton, 1779, oil on canvas. Detroit Institute of Arts, Gift of Mr. D. J. Healy, 27.556.
Feedback
We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction or improvement.
Suggest Feedback