Head of a Man

1865

Paul Cézanne French, 1839-1906

On View

Modern, Level 2, Central Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Head of a Man

Artwork Date 1865

Artist Paul Cézanne

Life Dates 1839-1906

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 16 3/4 × 13 1/8 inches (42.5 × 33.3 cm) Framed: 27 3/4 × 24 5/8 × 2 5/8 inches (70.5 × 62.5 × 6.7 cm)

Classification Paintings

Department European Modern Art to 1970

Credit Founders Society Purchase, Robert H. Tannahill Foundation Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 72.465

Markings

Signed Signed, in red, lower right: P. CEZANE | -65

Marks Stamp, on verso, upper right: [illegible round canvas stamp] Stamp, on stretcher: [tax stamp] Stickers, on stretcher: J. K. Thannhauser, 12 East 67th Street, New York 21, N.Y.; 3354/15; Galerie Thannhauser | Luzern [balance defaced] Marks, in black on stretcher: 1672.

Provenance

(Ambroise Vollard [1866-1939], Paris, France);
1916, Berlin, (Paul Cassirer, Berlin, Germany);
1916, by inheritance to his widow, Tilla Durieux-Cassirer;
May 17, 1927, sold by (Cassirer & Helbring, Berlin, Germany) lot 38;
1927, purchased by (Galerie Thannhauser, Lucerne, Switzerland and New York, New York, USA);
1932, Paul Smolka (Prague, Czechoslovakia and later Larchmont, New York, USA);
April 26, 1972, (Parke-Bernet Galleries, New York, New York, USA) estate of Paul Smolka, lot 15;
1972, sold by Mrs. Paul Smolka;
1972-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Meier-Graefe, J. Cézanne und Sein Kreis ein Beitrag zur Entwicklungsgeschichte. Munich, 1922, p. 73, cited in footnote 2.

Venturi, L. Cézanne, Son art–son oeuvre. Paris, 1936, vol. II, no. 110 (ill.).

Nebesky, V. "Tricet let po smrti Cézannove (Thirty Years after the Death of Cézanne)." Zivot: vutvarne odbor Umjeleck besedy v Praze, vol. 15. 1936, pp. 16-23, p. 17 (ill.).

Gatto, A. L'Opera completa di Cézanne. Milan, 1970, no. 75 (ill.), p. 89.

Bulletin of the DIA: Annual Report 52 (1972-1973): p. 59 (ill.).

La Chronique des arts et de la curiosité: supplement to Gazette des beaux-arts, no. 1249 (February 1973): p. 158, no. 556 (ill.).

Rewald, J., W. Feilchenfeldt, and J. Warman. The Paintings of Paul Cézanne: A Catalogue Raisonné. New York, 1996, vol. 1, p. 84, no. 74; vol. 2, p. 23 (ill.).

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