Furniture Set

ca. 1785

Beauvais Manufactory French

Not On View

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About the Artwork

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Furniture Set

Artwork Date ca. 1785

Artist Beauvais Manufactory

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Silk and wool cover (beauvais tapestry), carved and gilded beechwood frame

Dimensions various dimensions

Classification Furniture

Department European Sculpture and Dec Arts

Credit Bequest of Mrs. Horace E. Dodge in memory of her husband

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. V2016.7

Markings

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Provenance

Comte Boni de Castellane, full name Marie-Ernest Paul Boniface [1867-1932] (Château de Rochecotte, Indre-et-Loire, France);
(Charles Wertheimer, dealer, London, England);
J. Pierpont Morgan [1838-1913] (London, England)
1912, shipped to (New York, New York, USA);
1915, (Duveen Brothers, dealer, New York, New York, USA);
1932, acquired from Duveen by Anna Thomson Dodge (Grosse Pointe, Michigan, USA);
1971-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Darcel, Alfred and E. Guichard. Les Tapisseries Decoratives du Garde-Meuble (Mobilier National): Choix des Plus Beaux Motifs, vol. 1. Paris, 1878, no. 87.

Robinson, Edward. "The Morgan Collection." Bulletin of the Metropolitan Museum of Art 8 (June 1913): 117.

Guide to the Loan Exhibition of the J. Pierpont Morgan Collection. Exh. cat., Metropolitan Museum of Art. New York, 1914, section 18, facing p. 115 (ill.).

A Catalogue of Works of Art in the Collection of Anna Thomson Dodge. Detroit, 1933, unpaginated.

Collection de Monsieur W. B. [Willy Blumenthal]. Sales cat., Paris, November 29, 1935, lot 118.

A Catalogue of Works of Art of the Eighteenth Century in the Collection of Anna Thomson Dodge, vol. 1. Detroit, 1939, unpaginated.

Union Centrale des Arts Décoratifs. Exh. cat., Musee Nissim de Camondo. Paris, 1973, no. 233.

Dell, T. et al. The Dodge Collection of Eighteenth Century French and English Art at the Detroit Institute of Arts. New York and Detroit, 1996, no. 20, pp. 93-6, ill. p. 95.

Woven Splendor: Five Centuries of European Tapestry at the Detroit Institute of Arts. Exh. cat., Detroit Institute of Arts. Detroit, 1996, mentioned in checklist, p. 75.

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Catalogue Raisoneé

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Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.