Apollo and Daphne

17th century

Beauvais Manufactory French

Not On View

Apollo and Daphne: 1 of Collection Gallery

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Apollo and Daphne: 12 of Collection Gallery

Apollo and Daphne: 13 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Credit Line for Reproduction

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About the Artwork

Title Apollo and Daphne

Artwork Date 17th century

Artist Beauvais Manufactory

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Wool, silk and silver-wrapped thread

Dimensions 116 × 140 inches (294.6 cm × 3 m 55.6 cm)

Classification Tapestries

Department European Sculpture and Dec Arts

Credit Gift of K. T. Keller

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 62.134

Markings

Inscriptions ------

Provenance

Made for Vincent Hotman (d.1683) and Marguerite Colbert (d.1704), (France)

1937, (Christie's, London, England) bought by G. Roffe

Private collection (Spain)

1930s, (The Galleries of Paul S. Van Baarn, Ltd., New York and Paris)

K. T. Keller, [1885 - 1966] (Detroit, Michigan, USA)

1962-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Detroit, DIA, WOVEN SPLENDOR: FIVE CENTURIES OF EUROPEAN TAPESTRY AT THE DETROIT INSTITUTE OF ARTS, July-Sept 1996, p. 56, repro p.58, fig. 14 (mention in cat. 14, entry by T. Albainy), checklist p. 75.

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