About the Artwork
Eros Triumphant
between 1500 and 1520
(Designer) French (Weaver) European
Wool and silk
Overall: 114 × 42 inches (289.6 × 106.7 cm)
Tapestries
European Sculpture and Dec Arts
Founders Society Purchase, Ralph Harman Booth Bequest Fund
35.6
Public Domain
Markings
Inscribed, above head of Eros: Je frape tout atort et a... | de ars et de dars les chastes... | mais alafin quelque iousse [?] | la mort survient qui tout m... [translated: I [love] strike all and everywhere | With fires and darts the chastest hearts | But what matter the jousts and reversals | For in the end comes death to upset all]
Provenance
Marczell von Nemes (Budapest and Munich, Germany);June 16-19, 1931, Marczell sale, part II (Munich, Germany), no. 296;
until 1935, (A.S. Drey, New York, New York, USA);
1935-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
Please note: This section is empty
The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
Suggest FeedbackPublished References
Mensing & Sohn (Frederick Müller) & Cassirer & Helbig. Sammlung Marczell von Nemes, Part II: Textilien, Skulpturen, Kunstgewerbe. Munich, 1931, p. 95, pl. 61.
Coulin Weibel, A. "Eros Triumphant," Bulletin of the DIA 14, no. 6 (March 1935): pp. 76-81 (ill.).
2000 Years of Tapestry Weaving. Exh. cat., Wadsworth Atheneum. Hartford, December 1951- January 1952, no. 84, p. 38.
2000 Years of Tapestry Weaving. Exh. cat., Baltimore Museum of Art. February 27-March 25, 1952.
Shepherd, D. "Three Tapestries from Chaumont," Bulletin of the Cleveland Museum of Art 48 (September 1961): pp. 172-173, (fig. 13 ill.).
Wixom, W. "Traditions in the Chaumont Tapestries," Bulletin of the Cleveland Museum of Art 48 (September 1961): p. 183.
Sterling, C. "La Pietà de Tarascon et les peintres Dombet," La Revue du
Louvre et des Musées de France 16, no. 1 (1966): pp. 23-26, (figs. 20 & 23 ill.).
Wixom, William D. Treasures from Medieval France. Exh. cat., Cleveland Museum of Art. Cleveland, 1967, pp. 336–341 (ill.).
Chefs-d'œuvre de la tapisserie: du XIVe au XVIe siècle. Exh. cat., Grand Palais. Paris, October 26, 1973 - January 7, 1974, p. 150, no. 60 (ill.).
Asselberghs, J.-P. Les Tapisseries Flamandes aux Etats-Unis d'Amerique. Brussels, 1974, p. 23.
Chefs d'oeuvre de la tapisserie, Exh. cat., Metropolitan Museum. New York, February 8 - April 22, 1974, p. 150, no. 65 (ill.).
Masterpieces, Textile Galleries. Exh. cat., DIA. Detroit, September 13, 1978-January 14, 1979, no. 20.
"Selected Renaissance Works of Art from the Permanent Collection," Gallery guide. DIA. Detroit, October 26, 1982 - January 2, 1983, p. 7, (fig. 1 ill.).
Woven Splendor: Five Centuries of European Tapestry at the Detroit Institute of Arts. Exh. cat., DIA. Detroit, July-September 1996, cat. no. 5, pp. 13, 28-29 [entry by A. Darr & M. Holcomb].
Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.
Suggest FeedbackCatalogue Raisoneé
Please note: This section is empty
Credit Line for Reproduction
French; European, Eros Triumphant, between 1500 and 1520, wool and silk. Detroit Institute of Arts, Founders Society Purchase, Ralph Harman Booth Bequest Fund, 35.6.
Feedback
We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction or improvement.
Suggest Feedback