Diptych

between 1300 and 1350

On View

European: Medieval, Level 2, Central Wing

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About the Artwork

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Markings

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Provenance

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Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

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Provenance page
Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.
Audio Transcript

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About the Artwork

Title Diptych

Artwork Date between 1300 and 1350

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Ivory

Dimensions Overall: 4 3/8 × 4 1/2 × 5/8 inches (11.1 × 11.4 × 1.6 cm) Overall (left panel): 4 3/8 × 2 3/16 × 5/8 inches (11.1 × 5.6 × 1.6 cm) Overall (right panel): 4 3/8 × 2 3/16 × 5/8 inches (11.1 × 5.6 × 1.6 cm)

Classification Sculpture

Department European Sculpture and Dec Arts

Credit Founders Society Purchase with funds from Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 42.135

Markings

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Provenance

Maurice Sulzbach (Paris, France);
until 1928, (Arnold Seligmann, Rey and Co., Inc., New York, New York, USA);
Robert Tannahill [1893-1969] (Grosse Pointe, Michigan, USA);
1942-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback