Apple Orchard

1892

George Inness American, 1825-1894

On View

American, Level 2, West Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

This painting, which is an excellent example of lnness’s late style, depicts the artist’s orchard and farm buildings in Montclair, New Jersey. In later works, Inness developed a synthesis of realism and abstraction to achieve a spiritual response to nature, which preoccupied the artist toward the end of his life. Inness was not working directly from nature; although there are recognizable and identifiable forms and elements, he was painting from memory, bringing images together in an almost dreamlike manner.

Title Apple Orchard

Artwork Date 1892

Artist George Inness

Life Dates 1825-1894

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 30 × 45 1/8 inches (76.2 × 114.6 cm) Framed: 36 1/8 × 51 × 2 1/4 inches (91.8 × 129.5 × 5.7 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Baroness von Ketteler, Henry Ledyard and Hugh Ledyard, in memory of Henry Brockholst Ledyard

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 23.100

Markings

Signed Signed and dated, lower right: G. Inness 1892

Provenance

Henry Brockholst Ledyard;
his children, Baroness Von Ketteler, Henry Ledyard, and Hugh Ledyard;
1923-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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Published References

Bulletin of the DIA 5, 2 (1923-1924): p. 12 (ill.).

George Inness Centennial Exhibition, 1825-1925. Exh. cat., Fine Arts Academy, Albright Art Gallery. Buffalo, NY, 1925, no. 18.

American Realists. Exh. cat., Art Gallery of Hamilton. Ontario, 1961, no. 32.

George Inness of Montclair. Exh. cat., Montclair Art Museum. Montclair, NJ, 1964, no. 47 (ill.).

Ireland, Leroy. The Works of George Inness. Catalogue Raisonné. Austin, 1965, no. 1427.

George Inness Landscapes: His Signature Years, 1884-1894. Exh. cat., Museum Art Department. Oakland, CA, 1978, no. 59.

Masterworks from the Detroit Institute of Arts. Bunkamura Museum of Art. Tokyo, 1989, no. 67.

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Catalogue Raisoneé

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Credit Line for Reproduction

George Inness, Apple Orchard, 1892, oil on canvas. Detroit Institute of Arts, Gift of Baroness von Ketteler, Henry Ledyard and Hugh Ledyard, in memory of Henry Brockholst Ledyard, 23.100.