The Lonely Pine

1893

George Inness American, 1825-1894

On View

American, Level 2, West Wing

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About the Artwork

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Markings

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Provenance

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Published References

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Catalogue Raisonné

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About the Artwork

Title The Lonely Pine

Artwork Date 1893

Artist George Inness

Life Dates 1825-1894

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 30 1/2 × 45 inches (77.5 × 114.3 cm) Framed: 41 3/8 × 56 1/2 × 3 1/8 inches (105.1 × 143.5 × 7.9 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of B. E. Ford

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 51.331

Markings

Signed Signed and dated, lower right: G. Inness 1893

Provenance

February 12-14, 1895, Inness executor's sale, no. 158, Fifth Avenue Art Galleries (New York, New York, USA).
Cyrus McCormick;
his wife;
her nephew, B. E. Ford (Dearborn, Michigan, USA);
1951-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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