Our Mission

The Detroit Institute of Arts strives to be the town square of our community, a gathering place for everybody and create experiences that help each visitor find personal meaning with the art, individually, and with each other.

A central view of the Detroit Industry Murals in Rivera Court

The Collection

The DIA's collection is among the top six in the United States, with more than 65,000 works. The foundation was laid by William Valentiner, who was director from 1924 to 1945 and acquired many important works that established the framework of today's collections. Among his notable acquisitions are Mexican artist Diego Rivera's Detroit Industry fresco cycle, which Rivera considered his most successful work, and Vincent van Gogh's Self-Portrait, the first Van Gogh painting to enter a U.S. museum collection.

A hallmark of the DIA is the diversity of the collection. In addition to outstanding American, European, Modern and Contemporary, and Graphic art, the museum holds significant works of African, Asian, Native American, Oceanic, Islamic, and Ancient art. In 2000, the DIA established the General Motors Center for African American Art as a curatorial department in order to broaden the museum's collection of African American art.

Learn more about the Collection

Strategic Plan

When the DIA successfully secured millage funding through 2032 with the renewal in March 2020, it provided an opportunity for the museum to create a new road map for the next three to five years. This strategic plan serves as a blueprint for the entire organization to follow as we collectively implement our priorities for the future and evaluate our success serving our communities.

Pillars

See the 2022–2027 Strategic Plan

The Thinker pictured in front of the Detroit Institute of Arts

History

Founded in 1885, the museum was originally located on Jefferson Avenue, but, due to its rapidly expanding collection, moved to the current site on Woodward Avenue in 1927. The Beaux-Arts building, designed by Paul Cret, was immediately referred to as the "temple of art." Two wings were added in the 1960s and 1970s, and a major renovation and expansion that began in 1999 was completed in 2007.

The museum covers 658,000 square feet that includes more than 140 galleries, a 1,140-seat auditorium, a 333-seat lecture/recital hall, an art reference library, and a state-of-the-art conservation department.

 

 

Leadership

Director, President and CEO

The museum's director is Salvador Salort-Pons, who arrived in 2008 from the Meadows Museum at Southern Methodist University in Dallas. Salort-Pons served as Executive Director of Collections Strategies and Information before becoming Director, President and CEO in 2015.

Salvador Salort Pons in a blue suit and tie, stands with his hands folded in front of himself in front of the front steps of the Detroit Institute of Arts
  • Bryan C. Barnhill II
  • Ann Berman
  • Dr. Charles M. Boyd
  • Richard A. Brodie
  • Denise Brooks-Williams
  • Mary Culler
  • Joanne Danto
  • Charles Dunlap
  • Blake Ellis
  • Lawrence T. García
  • Christine Giampetroni
  • Thomas Guastello
  • Sonia Hassan
  • Hassan K. Jaber
  • Charley Jackson
  • Shirley Kaigler
  • David P. Larsen
  • Matthew B. Lester
  • John D. Lewis
  • Dr. Hubert W. Massey
  • Julie Matuzak
  • Nancy Mitchell
  • Ali Moiin
  • Takashi Omitsu
  • Marsha L. Philpot
  • Damon Porter
  • Judith Pritchett, Ph.D.
  • Christine Provost
  • W Fair Radom
  • Dina Richard
  • Victoria J. Rogers, observer
  • Renata C. Seals
  • Paula F. Silver
  • Michael Simcoe
  • Lori Singleton
  • Jason E. Tinsley
  • Padma Vattikuti
  • Rhonda D. Welburn
  • Kimberley Wiegand

Chairman | Lane Coleman

Vice Chairs | Ralph J. Gerson, Cynthia N. Ford

Secretary | Maria Donovan

Transition Officer | Bonnie Ann Larson

Legal Counsel | Josh Opperer, Alan S. Schwartz

  • Hon. Charles W. Anderson III
  • Jeffrey T. Antaya
  • Tina Bassett
  • Chacona Johnson-Baugh
  • Yvette Bing
  • Andrew L. Camden
  • Elaine C. Driker
  • Hon. Trudy DunCombe Archer
  • Kenneth Eisenberg
  • Nicole Eisenberg
  • Walter O. Evans
  • Dede Feldman
  • Jennifer Fischer
  • Eugene A. Gargaro, Jr.
  • David M. Hempstead
  • Jean Wright Hudson
  • George G. Johnson
  • Ralph J. Mandarino
  • Richard A. Manoogian
  • Dave E. Meador
  • Reuben A. Munday
  • Glenda D. Price
  • Katherine D. Rines
  • Diane M. Schoenith
  • Thomas W. Sidlik
  • John W. Stroh III
  • Samuel Thomas, Jr.
  • Reginald M. Turner, Jr.
  • Amanda Van Dusen
  • Janis Wetsman
  • Hon. Helene N. White
  • Trudi K. Wineman
  • Hon. Dennis W. Archer
  • Dr. Bettye Arrington-Martin
  • David Bing
  • Gayle Shaw Camden
  • Lois Pincus Cohn
  • Mary Kay Crain
  • Junia Doan
  • Peter A. Dow
  • Sis Fisher
  • Marilyn Flint
  • Sidney E. Forbes
  • Edsel B. Ford II
  • Eleanore Gabrys
  • Mary Anne Gargaro
  • Stephanie Germack-Kerzic
  • Allan D. Gilmour
  • Robert Gorlin
  • Argentina Hills
  • Ed Levy, Jr.
  • Linda Dresner Levy
  • David B. Lewis
  • John Marshall
  • Mariam Noland
  • Philip H. Power
  • Ellen Price
  • John Rakolta, Jr.
  • Ruth F. Rattner
  • Maureen Roberts
  • Roy Roberts
  • Richard L. Rogers
  • A. Paul Schaap
  • Carol C. Schaap
  • Dennis Scholl
  • Alan E. Schwartz
  • Alan S. Schwartz
  • Nettie H. Seabrooks
  • William W. Shelden, Jr.
  • Eliot R. Stark
  • S. Martin Taylor
  • Raj Vattikuti
  • Joan Webber
  • William Wetsman

Public Notice Regarding the National Endowment for the Humanities’ Section 106 Review of Detroit Institute of Arts Fire Protection Systems Upgrade for Prints, Drawings and Photographs gallery, department, and storage rooms

The National Endowment for the Humanities (NEH) has awarded the Detroit Institute of Arts, in Detroit, Michigan, a Sustaining Cultural Heritage Collections grant (PF-301175-24). The project will support the installation of a new fire suppression and early warning detection systems for the Prints, Drawings, and Photographs (PDP) galleries, department, and storage rooms.

NEH is an independent grant-making agency of the United States government dedicated to supporting research, education, preservation, and public programs in the humanities. This public notice is issued as part of NEH’s responsibilities under 36 C.F.R. Part 800, the regulations which implement Section 106 of the National Historic Preservation Act (NHPA) of 1966, as amended, 54 U.S.C. 306108. NEH, a funding agency, is required by regulation to identify and assess the effects of any proposed actions on historic properties. If any proposed action will have an adverse effect on historic resources, NEH works with the appropriate parties to seek ways to avoid, minimize, or mitigate any adverse effects. Additionally, the Section 106 regulations require NEH to consider the views of the public on preservation issues when making final decisions that affect historic properties.

The Detroit Institute of Arts, located at 5200 Woodward Ave, Detroit, Michigan, 48202, is one of three buildings that contributes to the National Register of Historic Places Michigan Cultural Center Historic District (NHRP #83003791). Detroit Institute of Arts, a white marbfe Beaux Arts style building designed by Paul Philippe Cret (1876-1945) and built In 1921-1927. The area of potential effect is limited to building’s interior footprint, however, parts of the interior (excluding the east wing and rear of the building) contribute to the building’s eligibility for the NHRP.

The proposed work involves the installation of an early smoke detection system, and FK-5-1-12 Gas Fire Suppression system blended with a Preaction Sprinkler System with new cylinders, piping, valves, and electronic inputs and outputs to replace the existing Halon fire suppression system, which has been phased out due to its deleterious effects on the ozone layer. The new early smoke detection and fire suppression systems will be installed in the Schwartz Prints and Drawing Galleries; Prints, Drawings, and Photographs (PDP) offices; Library/Study Room; Matting and Framing area; compact mobile storage area on the first floor; and three PDP storage rooms including the new cool storage room in the basement plus the newly configured mechanical room that serves these PDP spaces on both floors. The installation of new piping will mostly follow the same pathway as existing suppression system, which will reduce construction and additional penetrations through the deck between the basement level and the first floor. During installation of the piping, all necessary inputs, outputs, sensors, valves, and nozzles will be fitted. Once the system passes testing to ensure it is sealed and functions it will be connected to the gas cylinders and the museum's main fire control panel for full commissioning. Installation of very early warning detection apparatus, or VESDA® system. The tubing for this system, along with all appropriate sensors, valves, nozzles, and connectors, will be installed in parallel with the other fire system components and connected into the museum's main fire system through an existing sub-panel in the space.

On October 30, 2024, Ryan Shumaker, the Ohio State Historic Preservation Officer, indicated that the project will have no adverse effect. After reviewing Section 106 documentation and SHPO finding, NEH issues a determination of no adverse effects. If the scope of work changes in any way, or in the unlikely event that human remains, or archaeological material are encountered during construction activities related to this project, work must be halted, and the Detroit Institute of Arts will contact NEH and the SHPO to determine if additional review under Section 106 and other related laws is required.

As required by Section 106, NEH is providing the public with information about this project, as well as an opportunity to comment on any knowledge of, or concerns with, historic properties in the proposed project area, and issues relating to the project’s potential effects on historic properties. Comments may be submitted to the NEH by e-mail to FPO@neh.gov. The deadline for submitting comments is December 20, 2024.