Ways of Seeing: Canto Ostinato invites audiences to explore new ways of ‘seeing’ through deep listening and spatial experience. Highly emotive and intuitive, this work is described by composer Simeon ten Holt as more ritual than concert. 

Over the course of its nearly 90-minute, trance-like duration, time turns into space and the music begins to hover, offering listeners the chance to enter their own transcendental space. Originally scored for four pianos, this performance reimagines the piece as a solo piano journey, weaving together all four parts into a singular, immersive experience.