Yemenja

early 20th century

Maria Martins Brazilian, 1900 - 1973

On View

Modern, Level 2, North Wing

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Provenance

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Published References

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About the Artwork

Title Yemenja

Artwork Date early 20th century

Artist Maria Martins

Life Dates 1900 - 1973

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Brazilian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Bronze

Dimensions Overall: 27 1/4 × 28 1/4 × 22 1/8 inches, 150 pounds (69.2 × 71.8 × 56.2 cm, 68 kg)

Classification Sculpture

Department American Art before 1950

Credit Gift of anonymous donor

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 43.93

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Provenance

1943-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Page, Franklin. Modern Sculpture. Detroit, 1950, pp. 38-39.

Maria Martins: Metamorfoses, Mam. Exh. cat., Museu de Arte Moderna de Sao Paulo. Sao Paulo, 2013, pp. 73-75, 244-254, 268-272, 301.

Carrera, Rocío Francela Reyes. Poéticas Como Registro Histórico: Una Mirada de la Producción de io Mujeres Artistas de Brasil y Guatemala. 2022, pp. 28-33; p. 30 (ill.).

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