Venus Chastising Cupid

between 1775 and 1800

Manner of Etienne Maurice Falconet French, 1716-1791

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About the Artwork

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Venus Chastising Cupid

Artwork Date between 1775 and 1800

Artist Manner of Etienne Maurice Falconet

Life Dates 1716-1791

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Marble

Dimensions Overall: 14 7/8 × 7 1/8 × 6 7/16 inches (37.8 × 18.1 × 16.3 cm) Including base: 18 3/4 × 7 5/8 inches, 24 pounds (47.6 × 19.3 cm, 10.9 kg)

Classification Sculpture

Department European Sculpture and Dec Arts

Credit Bequest of Mrs. Horace E. Dodge in memory of her husband

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 71.178.A

Markings

Inscriptions On the base: 29393/2 (an inventory number, perhaps of Duveen Brothers).

Provenance

Sir Samuel Edward Scott [1873-1943], Bart., M. P. (Westbury, Northamptonshire, or Lytchet Minster, Dorset, England);
(Duveen Brothers, New York, New York, USA);
1932, purchased by Anna Thomson Dodge, (Grosse Pointe, MIichigan, USA);
1971-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Réau, Louis. Étienne-Maurice Falconet, 2 vols. Paris, 1922, vol. 1, pp. 235-238, (pl. XV); vol. 2, p. 506.

Works of Art of the Late Judge Elberth H. Gary. Sales cat., American Art Association. New York, April 19-21, 1928, lot 252.

Mann, J. G. Wallace Collection Catalogues: Sculpture. London, 1931, pp. 11-12, no. S28, (pl. 9).

A Catalogue of Works of Art in the Collection of Anna Thomson Dodge. Detroit, 1933, [unpaginated].

A Catalogue of Works of Art in the Collection of Anna Thomson Dodge, vol. 1. Detroit, 1939, [unpaginated].

Paintings and Sculpture from the Widener Collection. Washington D.C., 1948, p. 133, no. A-110.

Adams, Philip R. "The Anson Room." The Cincinnati Art Museum Bulletin 1 (October 1950): pp. 3-10; p. 7.

Sale catalogue of Baron James de Rothschild. Sales cat., Palais Galliéra. Paris, December 1, 1966, lot 95.

Winokur, Ronald L. "The Mr. and Mrs. Horace E. Dodge Memorial Collection." Bulletin of the DIA 50, no. 3 (1971): pp. 43-51.

Levitine, George. The Sculpture of Falconet. New York, 1972, pp. 44-45.

Dell, T., et al. The Dodge Collection of French and English Art at the Detroit Institute of Arts. New York & Detroit, 1996, pp. 117-120, no. 28; p. 118 (color ill.), [entry by H. Hawley].

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Catalogue Raisoneé

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Credit Line for Reproduction

manner of Etienne Maurice Falconet, Venus Chastising Cupid, between 1775 and 1800, marble. Detroit Institute of Arts, Bequest of Mrs. Horace E. Dodge in memory of her husband, 71.178.A.