About the Artwork
African beadwork is outstanding for its frequent use on large three-dimensional objects. Since beads were valuable objects imported from Europe, a lavish beaded throne like this was literally "fit for a king." The leopard depicted on this throne was considered "lord of bush" and was traditionally equated in African symbolism with the king, lord of his people.
Throne
19th century
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African
Bamileke
Wood and beads
Sight (as displayed/on angle): 18 1/2 × 16 × 17 3/4 inches (47 × 40.6 × 45.1 cm)
Furniture
African Art
Founders Society Purchase, Eleanor Clay Ford Fund for African Art
79.18
Public Domain
Markings
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Provenance
(Pace Gallery, New York, New York, USA);1979-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Suggest FeedbackPublished References
Detroit Collects African Art. Exh. cat., DIA. Detroit, 1977, no. 117 (ill.).
"Family Art Game." Detroit News, April 29, 1984, p. 19 (ill.) [DIA Advertising Supplement].
African Masterworks In The Detroit Institute of Arts. Washington and London, 1995, cat. no. 40.
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Credit Line for Reproduction
Bamileke, African, Throne, 19th century, wood and beads. Detroit Institute of Arts, Founders Society Purchase, Eleanor Clay Ford Fund for African Art, 79.18.
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