Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya

from 1183 to 1185

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Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 1 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 2 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 3 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 4 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 5 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 6 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 7 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 8 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 9 of Collection Gallery

Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya: 10 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya

Artwork Date from 1183 to 1185

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Japanese

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Japanese

Medium Gold and silver ink on indigo paper; gilded copper or silver roller

Dimensions Overall: 10 × 123 inches (25.4 × 312.4 cm)

Classification Paintings

Department Asian Art

Credit Founders Society Purchase, L. A. Young Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 61.5

Markings

Inscriptions Inscribed, in gold, in Chinese characters: [a Buddhist text]

Marks Stamp, in red, between the frontispiece and the first line of the sutra text: Jingoji [seal]

Provenance

Jingoji (Kyoto, Japan).
Harry C. Nail;
1961-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Bulletin of the DIA 44, no. 3 (1965): p. 47 (ill.).

Handbook of the Detroit Institute of Arts. Detroit, 1971, p. 53.

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Catalogue Raisoneé

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Credit Line for Reproduction

Japanese, Sutra Scroll from Jingo-ji Temple: The Buddha's Teaching at Anupiya, from 1183 to 1185, gold and silver ink on indigo paper; gilded copper or silver roller. Detroit Institute of Arts, Founders Society Purchase, L. A. Young Fund, 61.5.