Study of a Seated Man

between 1550 and 1600

Circle of Bartolomeo Passarotti Italian, 1529-1592

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Study of a Seated Man

Artwork Date between 1550 and 1600

Artist Circle of Bartolomeo Passarotti

Life Dates 1529-1592

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Pen and brown ink over black chalk on beige laid paper

Dimensions Sheet: 10 11/16 × 7 1/4 inches (27.1 × 18.4 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Gift of James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 85.2

Markings

Marks Watermark: [circle containing a bird] Stamp, in black, lower left corner: Alfonso IV d'Este (Lugt 106) Stamp, in black, lower right corner: Grahl (Lugt 1199)

Provenance

Alfonso IV d'Este (Ferrara, Italy).
August Grahl (Dresden, Germany).
April 1885, sold by (Sotheby's, London, England) no. 45. [as by Michelangelo]
1885, James E. Scripps (Detroit, Michigan, USA);
1885-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Italian, French, English, and Spanish Drawings and Watercolors: Sixteenth Through Eighteenth Centuries. New York, 1992, p. 276, no. A13.

Olszewski, Edward. A Corpus of Drawings in Midwestern Collections. Sixteenth-Century Italian Drawings, 2 vols. Belgium, 2008, vol. 1, p. 304, cat. 245 (ill.) [two images are marked as belonging to cat. entry 245, however the second image is for entry 246 about 34.137].

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Catalogue Raisoneé

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Credit Line for Reproduction

circle of Bartolomeo Passarotti, Study of a Seated Man, between 1550 and 1600, pen and brown ink over black chalk on beige laid paper. Detroit Institute of Arts, Gift of James E. Scripps, 85.2.