Scene in an Artist's Studio

between 1700 and 1720

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Scene in an Artist's Studio

Artwork Date between 1700 and 1720

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Black chalk and gray wash on off-white laid paper

Dimensions Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, General Endowment Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 62.29

Markings

Inscriptions Inscribed, in pencil, lower left, verso: W Hogarth

Marks Watermark: [coat of arms with two lions rampant (similar to Churchill 50 and 58)] Mark, lower left: E. Joseph-Rignault (Lugt 2218)

Provenance

1874, E. Joseph-Rignault (Paris, France).
(Wildenstein and Co., New York, New York, USA) (as by Antoine Coypel);
1962-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA) (as by Antoine Coypel);

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

The Collection of the Detroit Institute of Arts. Vol. 3, Italian, French, English, and Spanish Drawings and Watercolors: Sixteenth Through Eighteenth Centuries. New York: Hudson Hills, 1992, pp. 226-227, no. 108.

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Catalogue Raisoneé

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Credit Line for Reproduction

French, Scene in an Artist's Studio, between 1700 and 1720, black chalk and gray wash on off-white laid paper. Detroit Institute of Arts, Founders Society Purchase, General Endowment Fund, 62.29.