About the Artwork
Saint Paul Defending Himself before Agrippa
designed ca. 1529-1530, probably woven before 1546
Pieter Coecke van Aelst (Designer) Netherlandish, 1502-1550 Jan van der Vyst (Weaver) Netherlandish
Wool and silk
Overall: 165 inches × 23 feet 7 inches (4 m 19.1 cm × 7 m 18.8 cm)
Tapestries
European Sculpture and Dec Arts
Founders Society Purchase
24.29
This work is in the public domain.
Markings
Woven inscriptions in three cartouches from left to right: PAVLVS PRAEDICAT CHRISTVM FOEILICI PRAESIDIEVSVE VXORISDRVSILLAE PAVLVS CORAM PRAESIDE FESTO ET REGE AGRIPPA ET BERENICE APPELLAT CAESAREM ET QVAE SIBI CONTIGERINT ENARRAT PAVLVS VNA CVMARISTARCHO, CON SCENSA NAV I, ROMAN DEDVCITVR
Provenance
by tradition, from an Austrian Collection
1924, (Bachstitz Gallery, The Hague, Netherlands and New York, New York, USA)
1924-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance and its important function in the museum, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Friedländer, M.J. "Pieter Coecke van Alost," Jahrbuch der KÖniglich. Preuszischen Kunstsammlungen, vol. 38. Berlin, 1917, pp. 84-5 (ill.) [article pp. 73-94].
?Dr. J. Boettiger, Stockholm, published.
Walther, J. "Flemish Tapestries," Bulletin of the DIA 6 (October 1924): p. 5 (ill.)
von Baldass, L. "Masterpieces of the Art of Flemish Tapestry-Weaving," Bulletin of the Backstitz Gallery, vol. 7/8 (September 1924): 2-6, (ill.).
von Baldass, L. "Die Paulustapisserien des Pieter Coecke van Alost," Belvedere 5, no. 20 (1924): 45 (ill.).
Held, J. Bulletin of the DIA 4 (1935): 107-109.
Marlier, G. La Renaissance Flamande: Pierre Coecke d'Alost. Brussels, 1966, p. 310.
Cavallo, A. Tapestries of Europe and Colonial Peru in the Museum of Fine Arts, Boston, vol 1. Boston, 1967, pp. 98-103 [Related examples] [xerox copy of article in Registrar's Acc. file.]
The Virtuoso Craftsman: Northern European Design in the 16th Century. Worcester Art Museum, Massachusettes. 1969, no. 16, pp. 45-48 (ill.).
Farmer, D. The Virtuoso Craftsman: Northern European Design in the Sixteenth Century. Connoisseur, vol. 171, no. 687 (May 1969): p. 51, (ill.); p. 53; p. 51, no. 2 (ill.) [reprint]
Asselberghs, J.-P. Les Tapisseries Flamandes aux Etats-Unis d'Amerique. Brussels, 1974, p. 24.
Bauer, R. Tapisserien der Renaissance nach Entwürfen von Pieter Coecke van Aelst. Exh. cat., Schloss Halbturn. Austria, 1981, pp. 37-54.
Woven Splendor: Five Centuries of European Tapestry at the Detroit Institute of Arts. Exh. checklist, DIA. Detroit, July-September 1996, p. 73.
Delmarcel, G. "A Flemish Tapestry by Pieter Coecke van Aelst," Bulletin of the DIA 78, no. 1/2 (2004): pp.19-29 (ill.).
Campbell, T. Henry VIII and the Art of Majesty: Tapestries at the Tudor Court. New Haven & London, 2007, pp. 238-241; p. 240, (fig. 12.14) (ill.).
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Credit Line for Reproduction
Pieter Coecke van Aelst; Jan van der Vyst (probably woven under his direction), Saint Paul Defending Himself before Agrippa, designed ca. 1529-1530, probably woven before 1546, wool and silk. Detroit Institute of Arts, Founders Society Purchase, 24.29.
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