Sadoc

between 1550 and 1600

Circle of Bartolomeo Passarotti Italian, 1529-1592

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Sadoc

Artwork Date between 1550 and 1600

Artist Circle of Bartolomeo Passarotti

Life Dates 1529-1592

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Brush and brown ink over red chalk on cream antique laid paper

Dimensions Sheet: 16 1/4 × 11 1/16 inches (41.3 × 28.1 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, William H. Murphy Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 34.137

Markings

Inscriptions Inscribed, in pen and brown ink, along lower edge: Miguel Angolo Bonaroti Inscribed, in pencil, upper left, verso: RG Inscribed, in pen and black ink, upper edge, verso: Bachio Inscribed, in red chalk, upper center, verso: B50 Inscribed, in pencil, upper center, verso: Mich. Ang. Buonaroti Inscribed, in pen and brown ink, along left edge, verso: del bonaroti | [indecipherable] Inscribed, in pen and black ink, lower left corner, verso: 9311

Marks Stamp, in blue, lower right corner: Vallardi (Lugt 1223) Stamp, in purple, verso, lower right corner: Chr. G. Crusius (Lugt Syppl. 548a)

Provenance

Giuseppe Vallardi (Milan, Italy);
December 10-15, 1860, Vallardi sale, (Paris, France) (included sheets attributed Bandinelli, Michelangelo, etc.);
possibly Chr. G. Crusius (Dresden, Germany).
Charles Albert de Burlet (Berlin, Germany).
1934-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Italian, French, English, and Spanish Drawings and Watercolors: Sixteenth Through Eighteenth Centuries. New York, 1992, p. 275, no. A12.

Olszewski, Edward. A Corpus of Drawings in Midwestern Collections. Sixteenth-Century Italian Drawings, vol. 1-2. Belgium: Brepols Publishers, 2008, vol. 1, p. 305, cat. 246 (ill.) [typo marks the image as belonging to cat. 245, which is also our object: 85.2].

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Catalogue Raisoneé

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Credit Line for Reproduction

circle of Bartolomeo Passarotti, Sadoc, between 1550 and 1600, brush and brown ink over red chalk on cream antique laid paper. Detroit Institute of Arts, Founders Society Purchase, William H. Murphy Fund, 34.137.