Rosalba Peale

1820

Anna Claypoole Peale American, 1791-1878

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About the Artwork

In this intimate miniature on ivory, Anna Claypoole Peale captures the youthful spirit of her cousin Rosalba Peale. While the conventions of the time generally prohibited genteel women from working outside of the home, Anna and Rosalba were both professional artists. Anna was trained by her father, James Peale. Rosalba was trained by her father, Anna’s uncle, Rembrandt Peale. Both were among the first women admitted to the prestigious Pennsylvania Academy of the Fine Arts in Philadelphia.

This miniature appears in Charles Willson Peale’s affectionate portrait of his younger brother, James, also in the Detroit Institute of Arts’ collection. Known as The Lamplight Portrait, it shows James, seated at a table, examining Anna’s portrait of her cousin.

Title Rosalba Peale

Artwork Date 1820

Artist Anna Claypoole Peale

Life Dates 1791-1878

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Watercolor on ivory

Dimensions Unframed: 3 1/8 × 2 3/4 inches (7.9 × 7 cm) Framed: 6 5/8 × 6 × 5/8 inches (16.8 × 15.2 × 1.6 cm)

Classification Miniatures

Department American Art before 1950

Credit Founders Society Purchase, Gibbs-Williams Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 53.345

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Provenance

1953-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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