About the Artwork
Roman Youth with Horse
1824
Jacques Louis David
1748-1825
French
----------
Oil on canvas
Unframed: 36 3/8 × 29 inches (92.4 × 73.7 cm) Framed: 40 3/4 × 32 7/8 × 2 3/8 inches (103.5 × 83.5 × 6 cm)
Paintings
European Painting
Founders Society Purchase with funds from Mr. and Mrs. Edgar B. Whitcomb
27.245
Public Domain
Markings
Signed, lower right: David pinx 1824
Provenance
1927, (Ehrich Galleries, New York, New York, USA);1927-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA) with gift of funds from Mr. and Mrs. Edgar B. Whitcomb.
For more information on provenance, please visit:
Provenance pageExhibition History
Please note: This section is empty
The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
Suggest FeedbackPublished References
"Annual Report of the Arts Commission for the Year 1927," Bulletin of the DIA 9, no. 5 (1928): pp. 49, 52, 60, (repr.).
Heil, W. Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts. Detroit, 1930, cat. 52, (repr.).
Horse Show: Horses in Art from Ancient Times to the Present Day. Exh. cat., M. H. DeYoung Memorial Museum. San Francisco, November 19, 1932-January 1, 1933, cat. 33, frontispiece.
The Horse, its Significance in Art. Exh. cat., Fogg Museum, Harvard University. Cambridge, April-May 1938, cat. 9.
Symposium on the Greek Tradition. Exh. cat., Baltimore Museum of Art (with the Walters Art Gallery). Baltimore, May 15-June 25, 1939, pp. 19, 22.
David and Ingres. Exh. cat., Springfield Museum of Fine Arts, Memorial Art Gallery, Knoedler & Co. Springfield MA, Rochester, New York, November 1939-March 1940, cat. 4.
Classic Show. Exh. cat., Fogg Art Museum. Cambridge, July-August, 1941.
The Horse in Art. Exh. cat., John Herron Art Institute. Indianapolis, February-March 1942, cat. 54.
Shoolman, R. and Ch. E. Slatkin. The Enjoyment of Art in America. Philadelphia & New York, 1942, p. 547, (repr.).
Richardson, E. P., ed. Catalogue of Paintings. 1944, p. 36, no. 52 [as Jacques Louis David].
The Spirit of Modern France, An Essay on Painting in Society, 1745-1940. Exh. cat., Toledo Museum of Art, Art Gallery of Toronto. Toledo, Toronto, November 1946-February 1947, p. ?, cat. 17.
Sculpture by Houdon and Paintings and Drawings by David. Exh. cat., The Century Association. New York, February 15-April 10, 1947, cat. 13.
Neo-Classicism and Romanticism. Exh. cat., Wesleyan University. Middletown CT, April 1948 [with no accompanying catalogue].
Pompeiana. Exh. cat., Smith College Museum of Art. Northampton MA, November 18-December 15, 1948, cat. 110.
Richardson, E. P. Catalogue of the Whitcomb Gifts. Exh. cat., DIA. Detroit, April 20-September 20, 1954, p. 75, (repr.) [This publication coincided with the Whitcomb commemorative exhibition].
The Beginnings of Modern Painting, France, 1800-1910. Exh. cat., Joslyn Memorial Art Museum. Omaha, October 4-November 4, 1951 [unpaginated].
The French Tradition. Exh., Marion Koogler McNay Art Institute. San Antonio, February 5-March 12, 1961, cat. 8 [with no accompanying catalogue].
French Master Works. Exh. cat., Freedom Festival. Detroit, Cobo Hall, June 30-July 7, 1964.
Rosenblum, R. "Neoclassicism Surveyed," Burlington Magazine, vol. 107, no. 742 (January 1965): pp. 30-33 [citing David's signing of student replicas, but DIA painting not cited].
Art in the Age of Thomas Jefferson. Exh. cat., University of Virginia Art Museum. Charlottesville, March 14-April 23, 1976, cat.
Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.
Suggest FeedbackCatalogue Raisoneé
Please note: This section is empty
Credit Line for Reproduction
workshop of Jacques Louis David, Roman Youth with Horse, 1824, oil on canvas. Detroit Institute of Arts, Founders Society Purchase with funds from Mr. and Mrs. Edgar B. Whitcomb, 27.245.
Feedback
We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction or improvement.
Suggest Feedback