About the Artwork
Rest on the Flight into Egypt
between 1764 and 1765
Corrado Giaquinto
1703-1766
Italian
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Oil on canvas
Unframed: 113 × 71 1/8 inches (287 × 180.7 cm) Framed: 118 9/16 × 76 5/8 × 2 3/8 inches (301.1 × 194.6 × 6 cm)
Paintings
European Painting
Founders Society Purchase, Robert H. Tannahill Foundation Fund
77.73
Public Domain
Markings
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Provenance
1766- before 1817, Church of S. Luigi di Palazzo (Napes, Italy);ca. 1833, Lord Berwick (Redrice, Hampshire, England);
by 1877, Greely Stevenson Curtis (Boston, Massachusetts, USA);
by descent to Harriet Appleton Curtis (Boston, Massachusetts, USA);
November 28, 1975, sold by (Christie's, London, England) auction H.A. Curtis, lot 48;
1977, (P. & D. Colnaghi, Ltd., London, England);
1977-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Sigismondo, G. Descrizione della Città di Napoli, 2 vols. Naples, 1788, vol 1, p. 26; vol. 2, pp. 329-333 [referred to as "St. Joseph Adoring the Infant Jesus"].
Napoli-Signorelli, P. "Gli artisti napoletani della 2a metà del sec. XVIII." Napoli nobilissima, n.s. 2 (1921): p. 149.
d'Orsi, M. Corrado Giaquinto. Rome, 1958, pp. 122, 147, 149, cat. 314 (fig. 162).
Painting in Italy in the Eighteenth Century: Rococo to Romanticism. Exh. cat., Art Institute of Chicago. Chicago, 1970, p. 226, cited under cat. 95 (fig. 227) [as a "Holy Family"].
Rosenfeld, M.N. "Problems of Iconography in Italian Painting." Apollo 103 (May 1976): p. 389.
Bulletin of the DIA 56, no. 5: Annual Report (1978): pp. 275-276 (fig. 11).
Civiltà del Settecento a Napoli, vol. 1. Exh. cat., Museo di Capodimonte. Naples, 1979, pp. 300-302; p. 300 (fig. 163d).
Cummings, F., ed. Selected Works from the Detroit Institute of Arts. Detroit, 1979, p. 149, cat. 122 (ill.).
Cioffi, I. "Corrado Giaquinto's 'Rest on the Flight into Egypt.'" Bulletin of the DIA 58, no. 1: Annual Report (1980): pp. 5-12 (ill.).
The Golden Age Of Naples: Art and Civilization Under The Bourbons 1734-1805. Exh. cat., DIA and Art Institute of Chicago. Detroit and Chicago, 1981, pp. 108, 115-116, cat. 25(d) (ill.).
A Taste for Angels, Neapolitan Painting in North America 1650-1750. Exh. cat., Yale University Art Gallery. New Haven, 1987, pp. 69, 298.
Spinosa, N. Pittura Napoletana del Settecento, vol. 2. 1987, p. 149, no. 246, p. 351 (fig. 334).
Bissell, R.W., A. Derstine, and D. Miller. Masters of Italian Baroque Painting: The Detroit Institute of Arts. London, 2005, pp. 10, 11, 94-97, cat. no. 30.
Derstine, Andria. "The Detroit Institute of Arts and Italian Baroque Painting." In Buying Baroque: Italian Seventeenth-Century Paintings Come to America, ed. Edgar Peters Bowron. University Park, 2017, p. 101.
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Credit Line for Reproduction
Corrado Giaquinto, Rest on the Flight into Egypt, between 1764 and 1765, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, 77.73.
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