Reclining Nude

between 1891 and 1915

Henri Gaudier-Brzeska French, 1891-1915

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Catalogue Raisonné

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About the Artwork

Title Reclining Nude

Artwork Date between 1891 and 1915

Artist Henri Gaudier-Brzeska

Life Dates 1891-1915

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Pen and ink

Dimensions Sheet: 9 13/16 × 14 1/4 inches (24.9 × 36.2 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Bequest of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 70.287

Markings

Inscriptions Inscribed, in pencil, lower right, verso: Gaudier-Brzeska | # 83 | (loose drawing | no number)

Marks Stamp, in brown ink, verso: D.F.P. (circled) (Lugt Supplement, 750a, D. F. Platt)

Provenance

Dan Fellows Platt (Englewood, New Jersey, USA);
Victor D. Spark (New York, New York, USA?);
Robert H. Tannahill [1893-1969] (Grosse Pointe Farms, Michigan, USA);
1970-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback