Pyx

ca. 1250

Limoges French

On View

European: Medieval, Level 2, Central Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Pyx

Artwork Date ca. 1250

Artist Limoges

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Champlevé enamel on gilt copper, glass

Dimensions Overall: 3 1/2 × 3 1/2 × 2 5/8 inches (8.9 × 8.9 × 6.7 cm)

Classification Enamel

Department European Sculpture and Dec Arts

Credit Founders Society Purchase, Eleanor and Edsel Ford Exhibition and Acquisition Fund with matching funds from the David L. Klein, Jr. Memorial Foundation

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1985.29

Markings

Marks Marks, in pen, on underside, on right portion of paper label from the St. George's Exhibition of 1886]: ...of Norfolk.

Provenance

1855, Ralph Bernal;
1856, Lord Londesborough;
1886, Duke of Norfolk (Arundel Castle, Sussex, England);
Henry Bernard (Paris, France);
(Edward R. Lubin, New York, New York, USA);
1985-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Catalogue of the Celebrated Works of Art... of that Distinguished Collector, Ralph Bernal, Esq. Sales cat., Christie's. London, March 5, 1855, p. 104, no.1290.

Fairholt, F.W. Miscellania Graphica: Representations of Ancient, Medieval, and Renaissance Remains in the Posession of Lord Londesborough. London, 1856, (pl. 21).

Highly Important Medieval Works of Art... of His Grace the Duke of Norfolk. Sales cat., Christie's. London, November 28, 1961, p. 19, no. 47 (pl. 5).

Gauthier, Marie-Madeleine. Corpus des emaux champlevés meridonaux, T. IIA Industrie Limousine.

Collection de Monsieur Henry Bernard, Emaux champlevés de Limoges. Exh. cat., Monte Carlo Art Gallery. Monaco, October 7, 1979, no. 34 (ill.).

"Family Art Game," Detroit Free Press, May 18, 1986, p. 29 (ill.). [DIA Advertising Supplement].

Bulletin of the DIA 62, no. 3 (1986): pl. 3, p. 24.

Bilimoff, M. Pyxides d'Origine Limousine conservées en France. Master's thesis, University of Paris, 1979, pp. 48-49.

Barnet, Peter. "Medieval Limoges Enamels in the Detroit Institute of Arts." Bulletin of the DIA 63, no. 3/4 (1988): pp. 16-25, (fig. 2, 9).

Parker, E.C., ed. "Recent Acquisitions of Medieval Art by American Museums." Gesta 26, no. 1 (1987) p. 79 (fig. 1).

"Principales acquisitions des musees en 1986." La Chronique des arts, supplement to Gazette des Beaux-Arts, no. 1418 (March 1987): p. 20, no. 127 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

Limoges, Pyx, ca. 1250, champlevé enamel on gilt copper, glass. Detroit Institute of Arts, Founders Society Purchase, Eleanor and Edsel Ford Exhibition and Acquisition Fund with matching funds from the David L. Klein, Jr. Memorial Foundation, 1985.29.