The Path

1889

Camille Pissarro French, 1830-1903

On View

Modern, Level 2, Central Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Path

Artwork Date 1889

Artist Camille Pissarro

Life Dates 1830-1903

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 28 1/2 × 23 1/2 inches (72.4 × 59.7 cm) Framed: 36 1/4 inches × 31 1/4 inches × 4 inches (92.1 × 79.4 × 10.2 cm)

Classification Paintings

Department European Modern Art to 1970

Credit City of Detroit Purchase

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 21.34

Markings

Signed Signed and dated, lower right: C. Pissarro 1889

Provenance

Léon Payen (France);
June 29-30, 1916, sold by (Georges Petit, Paris, France) lot 95;
sold by (J. Allard & Co., Paris, France) stock #6699;
1920-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Poland, R. "French Impressionist Paintings Acquired." Bulletin of the DIA 2, no. 8 (1921): pp. 70-73; p. 72.

Heil, W. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts. Detroit, 1930, cat. 170 (ill.).

Pissarro, L.R. and L. Venturi. Camille Pissarro. Paris, 1939, vol. 1, p. 184, no. 731 [as Le Sentier, collection Léon Payen]; vol. 2, (pl. 153).

Richardson, E.P., ed. Detroit Institute of Arts Catalogue of Paintings. Detroit, 1944, p. 103, no. 170.

Pissarro and His Place in Art. Exh. cat., Wildenstein & Co. New York, 1945, cat. 28.

Paintings by Camille Pissarro. Exh. cat., the Arts Club of Chicago. Chicago, 1946, cat. 8.

Grigaut, P.L. The Two Sides of the Medal: French Painting from Gérôme to Gauguin. Exh. cat., DIA. Detroit, 1954, p. 32, cat. 52.

Lloyd, Chr. Camille Pissarro. Geneva and New York, 1981, p. 114; p. 146 (ill.).

Masterpieces from the Detroit Institute of Arts. Exh. cat., Bunkamura Museum of Art. Tokyo, 1989, pp. 88, 219, cat. 56 (ill.).

Keyes, G.S. "Late Nineteenth-Century French Paintings at the Detroit Institute of Arts." Bulletin of the DIA 77, no. 1/2, p. 7 (fig. 2).

Pissarro, J. and C. Durand-Ruel Snollaerts. Pissarro Critical Catalogue of Paintings. Paris, vol. 3. 2005, p. 572, cat. 871 (ill.). [as Le Sentier, femmes causant.]

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