Pair of Doors

ca. 1650

Manner of Reza 'Abbasi Iranian, ca. 1565 - 1635

On View

Islamic, Level 1, North Wing

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About the Artwork

These doors are decorated with medallions showing single figures and couples feasting in a lush garden, reflecting the luxurious lifestyle of the Persian rulers in the seventeenth century. The doors are said to come from the pleasure pavilion of Shah ‘Abbas I in Isfahan and the style of paintings reflect the influence of Riza-i Abbasi, the shah’s leading court painter.

Title Pair of Doors

Artwork Date ca. 1650

Artist Manner of Reza 'Abbasi

Life Dates ca. 1565 - 1635

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Iranian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Applewood, gilding and lacquer

Dimensions Overall: 76 1/4 × 33 × 1 3/8 inches (193.7 × 83.8 × 3.5 cm)

Classification Architecture

Department Islamic Art

Credit City of Detroit Purchase

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 26.7

Markings

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Provenance

(Hagop Kevorkian [1872-1962], New York, New York, USA).
(Anderson Galleries);
1926-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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