About the Artwork
A painter who also worked with constructions and found objects, Snowden combined the formal issues of surface, texture, and geometric shape with personal history, emotion, and intuition. The death of both of her parents in 1987 led her to produce a series of assemblages, of which “Monument” is the last, dedicated to their memory. Covered with encaustic, a waxy medium that suggests age, these works are charged with personal symbolism that turns them into a “repository of memories.”
Monument
1988
Gilda Snowden
1954 - 2014
American
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Encaustic on wood with objects
Overall: 76 × 81 × 8 inches (193 × 205.7 × 20.3 cm)
Paintings
African American Art
Founders Society Purchase, Chaim, Fanny, Louis, Benjamin, Anne and Florence Kaufman Memorial Trust
1990.300
Non-commercial all standard museum
Markings
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Provenance
1990-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)between 1950 and 1955For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Credit Line for Reproduction
Courtesy of Gilda Snowden
Gilda Snowden, Monument, 1988, encaustic on wood with objects. Detroit Institute of Arts, Founders Society Purchase, Chaim, Fanny, Louis, Benjamin, Anne and Florence Kaufman Memorial Trust, 1990.300.
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