Mexican Pueblo

1932

José Clemente Orozco Mexican, 1883-1949

On View

Modern, Level 2, North Wing

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Provenance page
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Suggest Feedback
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Suggest Feedback
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Three women kneel on the ground to rest surrounded by the twisting fronds of large agave plants. Two cover their heads from the sun with a type of shawl called a rebozo, while a small child naps in the foreground.

José Clemente Orozco painted this abstracted view of rural Mexican life while he was living in New York City. Along with Diego Rivera and David Alfaro Siqueiros, Orozco helped define a new language for modern art in Mexico through grand public murals. Orozco had moved to the United States in the late 1920s when political changes in Mexico reduced government patronage for murals. His work in this period included a small group of mural commissions, politically charged paintings of daily life in New York during the Great Depression, and romanticized depictions of rural Mexican life such as Mexican Pueblo.

Title Mexican Pueblo

Artwork Date 1932

Artist José Clemente Orozco

Life Dates 1883-1949

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Mexican

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 30 × 37 inches (76.2 × 94 cm) Framed: 35 3/4 × 42 1/2 inches (90.8 × 108 cm)

Classification Paintings

Department American Art before 1950

Credit Founders Society Purchase, General Membership Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 42.103

Markings

Signed Signed, lower right: J.C.Orozco

Provenance

1942-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback