Mauresque Noire (Black Moorish Woman)

1856

Charles Cordier French, 1827-1905

On View

Modern, Level 2, Central Wing

Mauresque Noire (Black Moorish Woman): 1 of Collection Gallery

Mauresque Noire (Black Moorish Woman): 2 of Collection Gallery

Mauresque Noire (Black Moorish Woman): 3 of Collection Gallery

Mauresque Noire (Black Moorish Woman): 4 of Collection Gallery

Mauresque Noire (Black Moorish Woman): 5 of Collection Gallery

Mauresque Noire (Black Moorish Woman): 6 of Collection Gallery

Mauresque Noire (Black Moorish Woman): 7 of Collection Gallery

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About the Artwork

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Mauresque Noire (Black Moorish Woman)

Artwork Date 1856

Artist Charles Cordier

Life Dates 1827-1905

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Bronze, silvered, gilt, black, brown and green patina

Dimensions Overall: 28 3/4 × 17 1/2 × 10 1/4 inches (73 × 44.5 × 26 cm)

Classification Sculpture

Department European Sculpture and Dec Arts

Credit Museum Purchase, Jill Ford Murray Fund and Mary Adelaide Hester Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2012.14

Markings

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Provenance

(Sotheby's, London, England);
2012-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

About, Edmond. “Exposition Internationale de Londres.” Le Constitutionnel, December 3, 1862, p. 2.

“Aivazovsky’s Sun-Kissed Constantinople and Cordier’s Dusky Moorish Beauty.” Maine Antique Digest (July 2012): p. 13-D.

Bulletin of the DIA: Notable Acquisitions, 2000–2015 89, no. 1/4 (2015), p. 77 (ill.).

Cordier, Charles. Sculpture Ethnographique: marbres et bronzes d’après divers types des races humaines. Paris, 1857, n.p.

Darr, Alan Phipps, Yao-Fen You, and Megan Reddicks. “Recent Acquisitions (2007–15) of European Sculpture and Decorative Arts at the Detroit Institute of Arts.” The Burlington Magazine 158 (June 2016): 501–512, p. 509 (ill.).

Margerie, Laure de and Edouard Papet. Facing the Other: Charles Cordier (1827–1905), Ethnographic Sculptor. Exh. cat., Musée d’Orsay. Paris, 2004, cat. 386.

The Orientalist Sale. Sales cat., Sotheby’s. London, April 24, 2012, p. 36, no. 17.

Révillon, Jeanine Durand. “Un promoteur de la sculpture polychrome sous le Second Empire, Charlies-Henri-Joseph Cordier (1827–1905).” Bulletin de la Société de l’histoire de l’art français, session of 6th February 1982 (1984): pp. 181–98, p. 193, no. 26.

Waring, J.B. Masterpieces of Industrial Art and Sculptures at the International Exhibition 1862, vol. 2. London, 1863, pl. 145 (ill.).

Margerie, Laure de, and Antoinette Le Normand-Romain. French Sculpture in America: An American Passion. Ghent/France, 2023, p. 461.

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Catalogue Raisoneé

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Credit Line for Reproduction

Charles Cordier, Mauresque Noire (Black Moorish Woman), 1856, bronze, silvered, gilt, black, brown and green patina. Detroit Institute of Arts, Museum Purchase, Jill Ford Murray Fund and Mary Adelaide Hester Fund, 2012.14.