About the Artwork
This highly significant demi-lune (half-moon shape) Parisian pier table, or console, features superb mahogany veneers, carving, Gilt bronzes, Wedgwood jasperware plaques, a silvered mirror back (a novel invention in 1792), and the original Bleu turquin marble top. It is a masterpiece of Directoire and pre-Empire furniture.
Several artists collaborated to create this piece including, Martin-Eloy Lignereux, a leading decorative art dealer in Paris, along with Antoine-Leonard Dupasquier, a sculptor and painter, Pierre-Philippe Thomire, a leading French bronze sculptor.
It is also believed that this exceptionally well-built mahogany structure points to the skilled work of the Adam Weisweiler, a French cabinet maker or possibly Bernard-Marie Cagnard, both of whom are documented working with Lignereux and Thomire in those years until 1809.
Mahogany Pier Table with Sphinx Monopod
ca. 1799
Antoine-Léonard Dupasquier (Designer) French, 1748 - c. 1831 Martin Eloi Lignereux (Designer) French, 1752 - 1809 Adam Weisweiler (Maker) French, 1750-1810 Antoine-Léonard Dupasquier (Maker) French, 1748 - c. 1831 Pierre Philippe Thomire (Maker) French, 1751-1843
Mahogany veneer, gilt bronze, Wedgwood jasperware plaques, mirror, bleu turquin marble
Overall: 36 × 58 1/2 × 19 inches (91.4 × 148.6 × 48.3 cm)
Furniture
European Sculpture and Dec Arts
Museum Purchase, Stoddard Family Foundation, Joseph H. Parsons Fund, Andrew L. and Gayle Shaw Camden Contemporary and Decorative Arts Fund, Janis and William Wetsman Foundation Fund, Alan, Marianne and Marc Schwartz Fund; and gift of K.T. Keller by exchange
2007.117
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Markings
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Provenance
Gustave Duval, Paris by 1925Château de Grand-Vaux, Savigny-sur-Orge, 22-24 June 1935, lot 382;
Professor Guy Ledoux-Lebard;
His sale, Artcurial | Briest - Poulain - F. Tajan, Hôtel Marcel Dassault, Paris, 20 June 2006, lot 144;
Richard Redding Antiques Ltd. (dealer), Zurich (purchased at TEFAF)
For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
Suggest FeedbackPublished References
Marmottan, P. Le Style Empire: Architecture et decor d'interieurs. 3rd ed. Paris, 1925, (pl. 28).
Ledoux-Lebard, D. Les ebenistes du XIXe siecle 1795-1889: les oeuvres et leurs marques. Paris, 1984, p. 437.
Cordier, Sylvain. Bellagé, ébénistes, une histoire du goût au XIXe siècle. Paris, 2012, pp. 401–403.
Darr, Alan Phipps, Yao-Fen You, and Megan Reddicks. “Recent Acquisitions (2007–15) of European Sculpture and Decorative Arts at the Detroit Institute of Arts.” The Burlington Magazine 158 (June 2016): pp. 501–512; p. 508 (ill.).
Bulletin of the DIA 89, no. 1/4: Notable Acquisitions, 2000–2015 (2015), p. 47 (ill.).
Richard Redding Antiques Ltd: 40 Years of Passion. Zürich, 2017, pp. 56-57 (ill.).
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Credit Line for Reproduction
Antoine-Léonard Dupasquier; Martin Eloi Lignereux; Adam Weisweiler; et al., Mahogany Pier Table with Sphinx Monopod, ca. 1799, mahogany veneer, gilt bronze, Wedgwood jasperware plaques, mirror, bleu turquin marble. Detroit Institute of Arts, Museum Purchase, Stoddard Family Foundation, Joseph H. Parsons Fund, et al., 2007.117.
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