Madonna and Child, between 1350 and 1360

  • Nino Pisano, Italian, 1315-1368

White marble, pigment, gold leaf

  • Overall (with pedestal): 46 1/2 × 29 × 25 inches (118.1 × 73.7 × 63.5 cm) Overall (without pedestal): 30 × 11 × 6 1/4 inches (76.2 × 27.9 × 15.9 cm)

Gift of Mr. and Mrs. Edsel B. Ford

27.150

On View

  • European: Medieval and Renaissance W251

Department

European Sculpture and Dec Arts

  • White (color)
  • Religion
  • Polychromy
  • Gilding
  • Marble
  • Alabama cream marble
  • Sculpture
  • Child
  • Statue
  • Virgin
  • Infant
  • Tuscany

The son of the great fourteenth-century sculptor Andrea Pisano (ca. 1290–1348), Nino became an accomplished artist in his own right. Nino was receptive to new influences, particularly from France, as seen in the lyrical drapery patterns and sweet expressions of this Virgin and Child. The Virgin is depicted here as an elegant and courtly lady, a more human interpretation of the Madonna consistent with developments in spirituality in the fourteenth century. This finely conceived and finished marble statuette is one of Nino’s masterworks.

Mme. Rambourg

Mme. Guyot (Paris, France)

(Georges-Joseph Demotte) (Paris, France and New York, New York, USA). by 1927, Eleanor Clay Ford [1896–1976] (Detroit, Michigan, USA)

1927-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

Valentiner, W. R. "Nino Pisano." Art in America 15, 5 (August 1927): pp. 194-216. Heil, W. "A Madonna and Child by Nino Pisano." Bulletin of the DIA 8, 6 (1927): pp. 62-63. Heil, W. "Italian Sculpture in Detroit." Parnassus 2, 5 (May 1930): p.16. Valentiner, W.R. Italian Gothic and Early Renaissance Sculpture. Exh. cat., DIA. Detroit, 1938, no. 16 (ill.) [unpaginated]. McCall, George Henry. Catalogue of European Painting and Sculpture from 1300–1800. Exh. cat., New York World's Fair. New York, 1939, p. 210, no. 423. Valentiner, W.R. Art Quarterly 10, 3 (1947): pp. 163-184. Toesca, I. Andrea e Nino Pisani. Florence, 1950, p. 56 (figs. 153-154). Greenleaf, William. From These Beginnings: The Early Philanthropies of Henry and Edsel Ford, 1911–1936. Detroit, 1964, p. 163. DIA Handbook. 1971, p. 71. Wixom, W.D. Cleveland Bulletin 54, 10 (1972): pp. 163-183 (ill.). Masterpieces of World Art from American Museums. National Museum of Western Art. Tokyo, September 11-December 5, 1976, no. 13 (ill.). Burresi, Mariagiulia. Andrea, Nini e Tommaso: Scultori Pisani. Milan, 1983, pp. 33, 113, 183 (pl. 24). Kreyenberg, G. Andrea Pisano und die Toskanische Skulptur des 14. Jahrhunderts. Munich, 1984, pp. 125-126 (figs. 189-190). Moskowitz, A.F. "A Madonna and Child Statuette in Detroit: Reversing a Reattribution." Medieval Art in North American Collections III (May 1984): abstracts, pp. 34-47. Moskowitz, Anita Fiderer. "A Madonna and Child Statue: Reversing a Reattribution." Bulletin of the DIA 61, 4 (1984): pp. 34-47 (figs. 1-3). 100 Masterworks from the Detroit Institute of Arts. New York, 1985, pp. 134-135 (ill.). Pope-Hennessy, J. "Review of Andrea Pisano and His Tuscan Contemporaries by G. Kreytenberg." Apollo (August 1985): p. 161. Moskowitz, A. The Sculpture of Andrea and Nino Pisano. Cambridge, 1986. Gillerman, D., ed. Gothic Sculpture in America, Vol I: The New England Museums. New York, 1989, cat. no. 272, p. 374. Stott, D. "Review of ‘The Sculpture of Andrea and Nino Pisano’ by Anita F. Moskowitz.” Speculum, 64, 2 (April 1989): p. 470. Pope-Hennessy, J. 1996, p. 251. Kreytenberg, G. "Nino Pisano." Grove Dictionary of Art. New York, 1996. Poeschke, J. Die Skulptur des Mittelalters in Italien, Vol. 2, Gothic. Munich, 2000, p. 173. Moskowitz, A. Italian Gothic Sculpture c.1250-1400. Cambridge, 2001, pp. 159, 316. Darr, A.P., P. Barnet, A. Boström, with contributions by C. Avery... [et. al.]. Catalogue of Italian Sculpture in the Detroit Institute of Arts. London, 2002, 2 vols., I, cat. 34.

Nino Pisano, Madonna and Child, between 1350 and 1360, white marble, pigment, gold leaf. Detroit Institute of Arts, Gift of Mr. and Mrs. Edsel B. Ford, 27.150.