Madonna and Child

15th century

Antoniazzo Romano Italian, 1435/40–1508

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About the Artwork

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Madonna and Child

Artwork Date 15th century

Artist Antoniazzo Romano

Life Dates 1435/40–1508

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Gilt and tempera on wood panel

Dimensions Unframed: 16 3/8 × 13 3/8 inches (41.6 × 34 cm) Framed: 23 1/8 × 19 1/8 × 3 inches (58.7 × 48.6 × 7.6 cm)

Classification Paintings

Department European Painting

Credit City of Detroit Purchase

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 22.11

Markings

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Provenance

until 1922, (Steinmeyer, Lucerne Fine Arts, Lucerne, Switzerland);
1922-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Walther, J. "Recent accessions on view in Gallery V," Bulletin of the DIA 3, nos. 5 & 6 (1922): p. 54.

Heil, W. Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts. Detroit, 1930, cat. 5, (repr.).

Berenson, B. Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places. Oxford, 1932, p. 26 [as Madonna holding Child on Parapet].

Van Marle, R. The Development of the Italian Schools of Paintings, vol. XV. The Hague, 1934, p. 250, (repr.) [dates picture to late 1450's].

Berenson, B. Pitture italiane del rinascimento. Milan, 1936, p. 22.

Mostra di Melozzo e del Quattrocento Romagnolo. Exh. cat., Palazzo dei Musei. Forli, 1938, p. 48, cat. 66 [entry by Cesare Gnudi].

Richardson, E.P., ed. DIA Catalogue of Paintings, 2nd ed. Detroit, 1944, p. 7, no. 5.

Paintings in the DIA: a checklist of the paintings acquired before June 1965. Detroit, 1965, p. 9 [picture dated to ca. 1467].

Boschetto, A. "Antologia di artisti: due opere di Antoniazzo Romano," Paragone (Arte) vol. 205 (March 1967): pp. 83-87, esp. p. 86 [suggests date of ca. 1480-85].

Berenson, B. "Italian pictures of the Renaissance: a list of the principal artists and their works with an index of places." In Central Italian and North Italian schools, vol. 1 (text). London, 1968, p. 15.

Fredericksen, B. and F. Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972, p. 10.

Noehles, G. "Antoniazzo Romano." Ph.D. diss., Münster, 1973, p. 183.

Hedberg, G.S. "Antoniazzo Romano and his School," Ph.D. diss., New York University, 1980, p. 214, cat. 78, (fig. 102); p. 165 (cited under cat. 15).

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