Christ Enthroned, the Virgin, Saint Francesca Romana, an Angel and Donor

Antoniazzo Romano Italian, 1435/40–1508
Not On View
  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Christ Enthroned, the Virgin, Saint Francesca Romana, an Angel and Donor

between 1470 and 1475

Antoniazzo Romano

1435/40–1508

Italian

Unknown

Tempera on wood panel

Image: 17 15/16 × 14 inches (45.6 × 35.6 cm) Overall: 20 7/8 × 16 1/8 × 2 3/8 inches (53 × 41 × 6 cm)

Paintings

European Painting

City of Detroit Purchase

26.111

This work is in the public domain.

Markings

------

Provenance

until 1914, private collection (Florence, Italy)

May 7-9, 1914, auctioned (Florence, Italy), lot 38

possibly between 1914 and 1925, (Luigi Grassi, Florence, Italy)

until 1926, collection of Achillito Chiesa (Milan, Italy)

April 16, 1926, auctioned by (American Art Association, New York, New York, USA), pt. 2, lot 19

1926, purchased by (F. Kleinberger, New York, New York, USA)

1926-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Longhi, R. "In favore di Antoniazzo Romano," Vita Artistica (1927): p. 228. Reprint, Longhi, R. Saggi e ricerche,1925-1928. Florence, 1967 [dates picture to ca. 1475].

Heil, W. Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts. Detroit, 1930, cat. 4, (repr.).

Berenson, B. Italian Pictures Of The Renaissance. Oxford, 1932, p. 26 [listed as Christ in Glory, a kneeling Worshipper, Angels, and two Female Saints; as done in part by artist].

Van Marle, R. The Development of the Italian Schools of Painting. The Hague, 1934, vol. 15, pp. 264, 265, note 1; p. 279 [mistakenly lists picture as formerly in Booth collection; suggests late date ca. 1490].

Berenson, B. Pitture italiane del rinascimento. Milan, 1936, p. 22 [as in part by artist].

Mostra Di Melozzo e del Quattrocento Romagnolo. Exh. cat., Palazzo dei Musei. Forlì, 1938, p. 47, cat. 67 [entry by C. Gnudi].

Richardson, E.P. Catalogue of Paintings, 2nd ed. Detroit, 1944, pp. 6-7, no. 4.

Paintings in the DIA: a checklist of the paintings acquired before June 1965. Detroit, 1965, p. 9.

Berenson, B. Italian pictures of the Renaissance: a list of the principal artists and their works with an index of places. Central Italian and North Italian schools, vol. 1. London, 1968, p. 15 [as in part by the artist].

Fredericksen, B. and F. Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, 1972, p. 10.

Noehles, G. "Antoniazzo Romano." Ph.D. diss., Münster, 1973, pp. 45-46, 130.

Hedberg, G.S. "Antoniazzo Romano and his School." 2 vols., Ph.D. diss., New York University, 1980, pp. 161-62, cat. 10, (fig. 65), p. 200 (cited under cat. 56).

Paolucci, A. Antoniazzo Romano: catalogo completo (series: I gigli d'arte, 26). Florence, 1992, p. 127, cat. 37, (repr.) [notes similarity of panel with image in convent of S. Sabina, Rome].

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Antoniazzo Romano, Christ Enthroned, the Virgin, Saint Francesca Romana, an Angel and Donor, between 1470 and 1475, tempera on wood panel. Detroit Institute of Arts, City of Detroit Purchase, 26.111.

Christ Enthroned, the Virgin, Saint Francesca Romana, an Angel and Donor
Christ Enthroned, the Virgin, Saint Francesca Romana, an Angel and Donor