Keith

1972

Chuck Close American, 1940 - 2021

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Keith

Artwork Date 1972

Artist Chuck Close

Life Dates 1940 - 2021

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Mezzotint with mezzotint collage and watercolor

Dimensions Plate: 44 1/2 × 35 1/8 inches (113 × 89.2 cm) Framed: 53 1/2 × 44 1/4 × 1 9/16 inches (135.9 × 112.4 × 4 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Acquisitions Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. F79.53

Markings

Signed Signed and dated, in pencil, vertically, center right edge: Close 1972

Inscriptions Inscribed, in pencil, vertically preceding the signature, lower right edge: Trial proof Keith Inscribed, lower center of the image: Altered proof w/ Collage

Provenance

1979-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Symmes, M.F. "Portraits and their Makers." Michigan Quarterly Review 21, no. 4 (Fall 1982): pp. 579-588, (pl. 7).

American Prints 1960-1985. Exh. cat., Museum of Modern Art. New York, 1986, p. 78.

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Catalogue Raisoneé

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Credit Line for Reproduction

Chuck Close, Keith, 1972, mezzotint with mezzotint collage and watercolor. Detroit Institute of Arts, Founders Society Purchase, Acquisitions Fund, F79.53.