About the Artwork
From 1752 to 1763, English-born artist Joseph Blackburn painted more than one hundred portraits of wealthy colonists in a modern British style that emphasized fashionable dress and personal refinement. After leaving Great Britain, he painted first in Bermuda in 1752 before traveling to Newport, Rhode Island; Boston, Massachusetts; and Portsmouth, New Hampshire. He returned home to Great Britain after that prolific period.
James Pitts (1712 – 1776) was a prominent merchant and politician in Boston. He is best remembered today for advocating against the concentration of power in the office of a royally appointed governor and against the housing of British troops in Boston. He penned a November 1773 resolution protesting the importation of tea to Boston by the East India Company, warning of “[c]onsequences that may disturb the Peace and good Order of the Town.” The Boston Tea Party followed in December.
James Pitts
1757
Joseph Jonathan Blackburn
1700-1780
American
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Oil on canvas
Unframed: 50 1/8 × 40 inches (127.3 × 101.6 cm) Framed: 57 3/4 × 47 5/8 × 3 inches (146.7 × 121 × 7.6 cm)
Paintings
American Art before 1950
Founders Society Purchase, Gibbs-Williams Fund
58.357
Public Domain
Markings
Signed and dated, lower right: J. Blackburn Pinxt 1757
Provenance
until 1776, the sitter, James Pitts (Boston, Massachusetts, USA);his son, John Pitts (Tyngsborough, Massachusetts, USA);
his great-grandnephew, Thomas Pitts (Detroit, Michigan, USA);
Mrs. Thomas Pitts (Detroit, Michigan, USA);
her son, S. Lendall Pitts [1875-1938] (Detroit, Michigan, USA);
Mrs. S. Lendall Pitts [1880-1963] (Norfolk, Virginia, USA);
1958-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Goodwin, D. Provincial Pictures by Brush and Pen. Chicago, 1886, pp. 14-16 and 25-59.
Pilgrim Tercentenary Exhibition. Exh. cat., Detroit Institute of Arts. Detroit, 1921, no. 2. [as Elizabeth Bowdoin]
Park, Lawrence. “Joseph Blackburn: A Colonial Portrait Painter with a Descriptive List of his Works.” American Antiquarian Society Proceedings 32 (October 1922): pp. 311-312.
A Loan Exhibition of American Colonial and Early Federal Art. Exh. cat., Detroit Institute of Arts. Detroit, 1930, no. 72.
Richardson, Edgar P. “American Portrait Painting.” Bulletin of the DIA 14, 1 (October 1934): p. 12.
Baker, C.H. Collins. “Notes on Joseph Blackburn and Nathaniel Dance.” Huntington Library Quarterly 9 (November 1945-August 1946): p. 41.
Eight Generations of the Pitts Family. Exh. cat., Detroit Institute of Arts. Detroit, 1959, p. 22 (ill.).
Payne, Elizabeth H. “Pitts Family Portraits of the Eighteenth Century.” Antiques 77 (January 1960): p. 88.
Stevens, William B. Jr. “Joseph Blackburn and his Newport Sitters, 1754-1756.” Newport History 40 (Summer 1967): pp. 105-106.
Shaw, Nancy Rivard, et al. American Paintings in the Detroit Institute of Arts, Volume 1: Works by Artists Born Before 1816. New York, 1991, pp. 40-43 (ill.).
Colman, Benjamin W. "Joseph Blackburn: A British Portrait Painter in the Atlantic World." Bulletin of the DIA 98, no. 1 (2024): p. 64 (fig. 1).
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Credit Line for Reproduction
Joseph Jonathan Blackburn, James Pitts, 1757, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Gibbs-Williams Fund, 58.357.
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