About the Artwork
From 1752 to 1763, English-born artist Joseph Blackburn painted more than one hundred portraits of wealthy colonists in a modern British style that emphasized fashionable dress and personal refinement. After leaving Great Britain, he painted first in Bermuda in 1752 before traveling to Newport, Rhode Island; Boston, Massachusetts; and Portsmouth, New Hampshire. He returned home to Great Britain after that prolific period.
James Pitts (1712 – 1776) was a prominent merchant and politician in Boston. He is best remembered today for advocating against the concentration of power in the office of a royally appointed governor and against the housing of British troops in Boston. He penned a November 1773 resolution protesting the importation of tea to Boston by the East India Company, warning of “[c]onsequences that may disturb the Peace and good Order of the Town.” The Boston Tea Party followed in December.
James Pitts
1757
Joseph Jonathan Blackburn
1700-1780
American
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Oil on canvas
Unframed: 50 1/8 × 40 inches (127.3 × 101.6 cm) Framed: 57 3/4 × 47 5/8 × 3 inches (146.7 × 121 × 7.6 cm)
Paintings
American Art before 1950
Founders Society Purchase, Gibbs-Williams Fund
58.357
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Markings
Signed and dated, lower right: J. Blackburn Pinxt 1757
Provenance
until 1776, the sitter, James Pitts (Boston, Massachusetts, USA);his son, John Pitts (Tyngsborough, Massachusetts, USA);
his great-grandnephew, Thomas Pitts (Detroit, Michigan, USA);
Mrs. Thomas Pitts (Detroit, Michigan, USA);
her son, S. Lendall Pitts [1875-1938] (Detroit, Michigan, USA);
Mrs. S. Lendall Pitts [1880-1963] (Norfolk, Virginia, USA);
1958-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Goodwin, D. Provincial Pictures by Brush and Pen. Chicago, 1886, pp. 14-16, 25-59.
Pilgrim Tercentenary Exhibition. Exh. cat., DIA. Detroit, 1921, no. 2, [as Elizabeth Bowdoin].
Park, Lawrence. “Joseph Blackburn: A Colonial Portrait Painter with a Descriptive List of his Works.” American Antiquarian Society Proceedings 32 (October 1922): pp. 311-312.
A Loan Exhibition of American Colonial and Early Federal Art. Exh. cat., DIA. Detroit, 1930, no. 72.
Richardson, Edgar P. “American Portrait Painting.” Bulletin of the DIA 14, no. 1 (October 1934): p. 12.
Baker, C.H. Collins. “Notes on Joseph Blackburn and Nathaniel Dance.” Huntington Library Quarterly 9 (November 1945-August 1946): p. 41.
Eight Generations of the Pitts Family. Exh. cat., DIA. Detroit, 1959, p. 22 (ill.).
Payne, Elizabeth H. “Pitts Family Portraits of the Eighteenth Century.” Antiques 77 (January 1960): p. 88.
Stevens, William B. Jr. “Joseph Blackburn and his Newport Sitters, 1754-1756.” Newport History 40 (Summer 1967): pp. 105-106.
Shaw, Nancy Rivard, et al. American Paintings in the Detroit Institute of Arts. Vol. 1, Works by Artists Born Before 1816. New York, 1991, pp. 40-43 (ill.).
Colman, Benjamin W. "Joseph Blackburn: A British Portrait Painter in the Atlantic World." Bulletin of the DIA 98, no. 1 (2024): p. 64 (fig. 1).
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Credit Line for Reproduction
Joseph Jonathan Blackburn, James Pitts, 1757, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Gibbs-Williams Fund, 58.357.
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