Ink Stand: Saint George and the Dragon

between 1470 and 1490

Italian

On View

European: Medieval and Renaissance, Level 2, West Wing

Ink Stand: Saint George and the Dragon: 1 of Collection Gallery

Ink Stand: Saint George and the Dragon: 2 of Collection Gallery

Ink Stand: Saint George and the Dragon: 3 of Collection Gallery

Ink Stand: Saint George and the Dragon: 4 of Collection Gallery

Ink Stand: Saint George and the Dragon: 5 of Collection Gallery

Ink Stand: Saint George and the Dragon: 6 of Collection Gallery

Ink Stand: Saint George and the Dragon: 7 of Collection Gallery

Ink Stand: Saint George and the Dragon: 8 of Collection Gallery

Ink Stand: Saint George and the Dragon: 9 of Collection Gallery

Ink Stand: Saint George and the Dragon: 10 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Ink Stand: Saint George and the Dragon

Artwork Date between 1470 and 1490

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Italian

Medium Reddish earthenware, slip-coated; incised design, heightened with green, brown, yellow, grayish blue; transparent glaze

Dimensions Overall: 13 5/16 × 12 × 20 1/4 inches (33.8 × 30.5 × 51.4 cm)

Classification Ceramics

Department European Sculpture and Dec Arts

Credit Founders Society Purchase, Elliott T. Slocum Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 26.291

Markings

Inscriptions ------

Provenance

by 1880, Eugene Felix (Leipzig, Germany)

1886, Felix sale

Richard Zschille (Grossenheim, near Dresden, Germany)

1899, Zschille sale

1899, purchased by Goldschmidt

(R. Langton Douglas, London, England)

1926-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Sutton, Denys. "Robert Langton Douglas, Part III." Apollo (June 1979): pp. 183- 189, no. 54.

Cole, B. "Italian Maiolica from Midwestern Collections." Apollo 107 (January 1978): pp. 38-43.

Dennis, Jessie McNab. "Ceramics and Glass." The Triumph of Humanism. Exh. cat., California Palace of the Legion of Honor. San Francisco, 1977 (fig. 8).

DIA Handbook. Detroit, 1971, p. 126.

Decorative Arts of the Italian Renaissance, 1400-1600. Exh. cat., Detroit Institute of Arts. Detroit, 1958, cat. no. 87.

Keith, D. Graeme. The Triumph of Humanism. Exh. cat., Fine Arts Museum. San Francisco, ca. 1977, pp. 64, 89, cat. no. 177.

Thorton, Dora. The Scholar in His Study: Ownership and Experience in Renaissance Italy, 1998 (fig. 110).

Bulletin of the DIA 87, no. 1/4: Italian Renaissance and Later Ceramics (2013): cat. no. 36.

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Catalogue Raisoneé

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Credit Line for Reproduction

Italian, Ink Stand: Saint George and the Dragon, between 1470 and 1490, reddish earthenware, slip-coated; incised design, heightened with green, brown, yellow, grayish blue; transparent glaze. Detroit Institute of Arts, Founders Society Purchase, Elliott T. Slocum Fund, 26.291.