The Holy Trinity

between 1603 and 1684

Cornelis Bloemaert the Younger , Artist After Pietro Francesco Mola , Artist

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Holy Trinity

Artwork Date between 1603 and 1684

Makers Cornelis Bloemaert the Younger (Artist) Dutch, 1603-1684 After Pietro Francesco Mola (Artist) Italian, 1612-1666

Medium Engraving printed in black ink on laid paper

Dimensions Sheet (trimmed within plate mark): 13 1/2 × 9 inches (34.3 × 22.9 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Mrs. James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 09.1S146

Markings

Inscriptions Inscribed, in plate, lower left of image: P. F. Mola inven: C. Bloemaert Sculp. Inscribed, verso: [pencil notations]

Marks Watermark, upper center of image

Provenance

September 1887, C. J. Meyer (Carlsbad).
1909-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

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Catalogue Raisoneé

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Credit Line for Reproduction

Cornelis Bloemaert the Younger; after Pietro Francesco Mola, The Holy Trinity, between 1603 and 1684, engraving printed in black ink on laid paper. Detroit Institute of Arts, Gift of Mrs. James E. Scripps, 09.1S146.