Holy Family with St. Anne

ca. 1530

Garofalo Italian, 1481-1559

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Holy Family with St. Anne

Artwork Date ca. 1530

Artist Garofalo

Life Dates 1481-1559

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Paint on wood panel

Dimensions Unframed: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm) Framed: 19 3/8 × 25 3/8 × 2 inches (49.2 × 64.5 × 5.1 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, General Membership Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 31.23

Markings

Marks Label, on panel, on verso: cc 143

Provenance

by 1810, (Philip Hill, London, England);
April 16, 1810–August 11, 1810, sold by (Philip Hill, London, England) "[Private Sale]";
January 26, 1811, sold by (Christie's, London, England) "The Admired Collection, lately Exhibited at the Academy Rooms in Pall Mall";
July 3, 1811, sold by (Christie's, London, England) "A Gentleman of Refined Taste";
Sarah Rogers [1772–1855] (London, England);
1855, by inheritance to her brother, Samuel Rogers, Esq. [1763–1855] (London, England);
April 27, 1856, sold by (Christie and Manson, London, England) "The Property of Samuel Rogers, Esq. Deceased".
May 3, 1856, purchased by Thomas George Baring, 1st Earl of Northbrook [1826–1904] (London, England);
by 1907, by inheritance to his son, Francis George Baring, 2nd Earl of Northbrook [1850–1929] (London, England).
(Colnaghi and Co., London, England);
by 1931, (Ehrich Galleries, New York, New York, USA);
1931–present, purchased by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Waagen, Gustav Friedrich. Treasures of Art in Great Britain: Being An Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss., &c. &c., vol. 2. London, 1854, p. 268.

Catalogue of the Very Celebrated Collection of Works of Art, the Property of Samuel Rogers, Esq. Deceased. Sales cat., Christie and Manson, London, April 27, 1856, p. 70, no. 701. [As "The Riposo"]

Richter, Jean Paul. A Descriptive Catalogue of the Collection of Pictures belonging to the Earl of Northbrook. London, 1889, p. 132, no. 183. [As "Riposo"]

Exhibition of Pictures, Drawings & Photographs of Works of the School of Ferrara-Bologna, 1440–1540, also medals of members of houses of Este and Bentivoglio. Exh. cat., Burlington Fine Arts Club. London, 1894, p. 15, no. 44. [As "Riposo"]

Berenson, Bernard. North Italian Painters of the Renaissance. New York, 1907, p. 226.

Gardner, Edmund G. The Painters of the School of Ferrara. London, 1911, p. 239.

"Museum Accessions." The American Magazine of Art 22, no. 4 (April 1931): p. 296.

Valentiner, William R. "Three Ferrarese Paintings." Bulletin of the DIA 12, no. 6 (March 1931): pp. 67–69 (ill.).

Berenson, Bernard. Italian pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932, p. 217.

Catalogue of A Loan Exhibition of Paintings in Aid of The Architects' Emergency Fund. Exh. cat., Ehrich-Newhouse Incorporated. New York, 1935, no. 13.

Berenson, Bernard. Pitture Italiane del Rinascimento. Milan, 1936, p. 186.

Richardson, Edgar P., ed. Catalogue of Paintings, 2nd ed. Detroit, 1944, p. 50, no. 535.

Paintings in the Detroit Institute of Arts: a Check List of the Paintings Acquired before June, 1965. Detroit, 1965, p. 43.

Richardson, Edgar P., ed. Treasures from the Detroit Institute of Arts. Detroit, 1966, p. 84 (ill.).

Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works with an Index of Places. Central Italian and North Italian schools, vol. 1 (text). London, 1968, p. 153.

Frederickson, Burton and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972, p. 78.

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Catalogue Raisoneé

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Credit Line for Reproduction

Garofalo, Holy Family with St. Anne, ca. 1530, paint on wood panel. Detroit Institute of Arts, Founders Society Purchase, General Membership Fund, 31.23.