About the Artwork
The Korean word for grape, “p’o-to”, is similar in sound with the word for peach, “to,” a traditional symbol of immortality. Thus, the motif on this screen was to convey wishes for a long life to the viewer, as well as make a statement about the owner’s literary and artistic sophistication.
Grapevine
1821
Choi Sokhwan
1782 - ca.1850
Korean
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Twelve-panel folding screen; ink and watercolor on paper
Image: 31 3/4 × 117 5/8 inches (80.6 × 298.8 cm) Overall: 68 7/8 × 128 inches (174.9 cm × 3 m 25.1 cm) Installed (17" wide angles, 20" ends): 69 × 109 inches (175.3 × 276.9 cm)
Paintings
Asian Art
Founders Society Purchase with funds from the Korean Community, New Endowment Fund, Henry Ford II Fund, Benson and Edith Ford Fund, Mr. and Mrs. Walter Buhl Ford II Fund, J. Lawrence Buell, Jr. Fund, L. A. Young Fund, and G. Albert Lyon Foundation Fund
1988.62
Public Domain
Markings
Signed, on bottom of first panel on the right, at left
Inscribed, on bottom of first panel on the right, at right
Stamps, on bottom of first panel on the right, at left, below signature: [seals]
Provenance
(Leighton R. Longhi, Inc., New York, New York, USA);1988-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Suggest FeedbackPublished References
Longhi, Leighton R. Forty-five Years in Asian Art. New York, 2019, pp. 350-351 (fig. 369).
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Credit Line for Reproduction
Choi Sokhwan, Grapevine, 1821, twelve-panel folding screen; ink and watercolor on paper. Detroit Institute of Arts, Founders Society Purchase with funds from the Korean Community, New Endowment Fund, et al., 1988.62.
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