Ecce Homo, 1542

  • Pierre Reymond, French, 1532 - 1578

Enamel on copper

  • Unframed: 6 × 4 7/8 × 5/16 inches (15.3 × 12.4 × 0.8 cm)

City of Detroit Purchase

21.171

Department

European Sculpture and Dec Arts

  • Christianity
  • Men
  • Religion
  • Enamel
  • Copper
  • Passion cycles
  • Steps
  • Staffs (staff weapon components)
  • Figures (representations)
  • Plaque (flat object)
  • Limoges
  • Christ
  • Passion
  • Ecce homo

Signed, on step: •P•R•

Inscribed, dated, on bottom: 154Z

(F.M. Hackenbroch, Frankfurt, Germany)

1921-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

E. P. Lesley, Jr. Enamel. An Historic Survey to the Present Day. Exh. cat., Cooper Union Museum for the Arts of Decoration. April 15-June 11, 1954, p. 22, cat. no. 92. Verdier, P. The Walters Art Gallery: Catalogue of the Painted Enamels of the Renaissance. Baltimore, 1967, p. 211. Renaissance Works of Art from the Permanent Collection. Exh. cat., DIA. Detroit, October 26, 1982-January 2, 1983. Higgott, Suzanne, et al. Catalogue of Glass and Limoges Painted Enamels (The Wallace Collection). London, 2011, pp. 238–239.

Pierre Reymond, Ecce Homo, 1542, enamel on copper. Detroit Institute of Arts, City of Detroit Purchase, 21.171.