Ecce Homo

1542

Pierre Reymond French, 1532 - 1578

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Ecce Homo

Artwork Date 1542

Artist Pierre Reymond

Life Dates 1532 - 1578

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Enamel on copper

Dimensions Unframed: 6 × 4 7/8 × 5/16 inches (15.3 × 12.4 × 0.8 cm)

Classification Enamel

Department European Sculpture and Dec Arts

Credit City of Detroit Purchase

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 21.171

Markings

Signed Signed, on step: •P•R•

Inscriptions Inscribed, dated, on bottom: 154Z

Provenance

(F.M. Hackenbroch, Frankfurt, Germany);
1921-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

E. P. Lesley, Jr. Enamel. An Historic Survey to the Present Day. Exh. cat., Cooper Union Museum for the Arts of Decoration. April 15-June 11, 1954, p. 22, cat. no. 92.

Verdier, P. The Walters Art Gallery: Catalogue of the Painted Enamels of the Renaissance. Baltimore, 1967, p. 211.

Renaissance Works of Art from the Permanent Collection. Exh. cat., DIA. Detroit, October 26, 1982-January 2, 1983.

Higgott, Suzanne, et al. Catalogue of Glass and Limoges Painted Enamels (The Wallace Collection). London, 2011, pp. 238–239.

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