Earring

550 - 330 BCE

On View

Ancient Middle East Gallery, Level 1, West Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

This earring, probably from Susa, is characteristic of jewelry of this period. When in motion, the beads tremble like a tiny chandelier and the gold surfaces brilliantly reflect the light.

Title Earring

Artwork Date 550 - 330 BCE

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Persian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Gold, faience

Dimensions Overall: 2 15/16 × 2 1/16 × 7/16 inches (7.5 × 5.2 × 1.1 cm)

Classification Jewelry

Department Ancient Near Eastern Art

Credit Founders Society Purchase with funds from Mrs. Charles C. Andrews

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1989.7

Markings

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Provenance

(Said Motamed, Frankfurt, Germany);
1989-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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