About the Artwork
This silver-gilt double cup is a masterpiece of the Gothic revival style pioneered by Hans Petzolt, one of the most famous and prolific Nuremberg goldsmiths of the second half of the sixteenth century. The vessel’s essential form — two lobate cups of nearly identical size, one of which fits inverted on top of the other — recalls similar German examples made one hundred years earlier. Cups of this type often served to mark important events such as a wedding, a significant civic appointment, a retirement celebration, or a dignitary’s visit; here, portraits and heraldic silver medals of Jacob and Elisabeth Starck are set into each bowl and underneath each foot. Jacob Starck commissioned Petzolt to make the cup to commemorate his important appointment as Senior Burgermeister of the city of Nuremberg in 1595. Petzolt updated the earlier Gothic model by incorporating Renaissance motifs, such as caryatids, strapwork, and foliate scrolls, into its decoration. Documented in the Rothschild and Gutmann collections from 1885 until 2003, this double cup is now the only such object by Petzolt known in any American collection.
Double-Cup
1596
Hans Petzolt
1551-1633
German
Unknown
Silver, gold
Overall: 21 1/4 × 7 1/8 inches, 4 pounds 14 ounces (54 × 18.1 cm, 2 kg 211.3 g)
Silver
European Sculpture and Dec Arts
Museum Purchase, Robert H. Tannahill Foundation Fund
2003.65.1
This work is in the public domain.
Markings
Inscribed, on four silver medals made by Mathias Carl [born in Augsburg; master in Nuremberg, 1585]: [1st medal: Portrait of Jacob Starck] IACOB STARCK ZVM RECKEN: AETA: 46 Ao. 96 [translation: Jacob Starck zum Recken at the age of 46 in the year [15]96] [2nd medal: Starck family arms] IN TIMORE DOMINI FORTITVDO NOSTRA [translation: Our strength is in the fear of the Lord] [3rd medal: Portrait of Elisabeth Starck] ELISAB: STERCK: GEB: V: VSLER V: GOSLAR AETA: 41 [translation: Elisabeth Starck, born von Usler von Goslar, at the age of 41] [4th medal: Usler von Goslar arms] GOTT ALLEIN DIE EHR + 1596 [translation: To God alone the honor, 1596]
Stamps, on exterior of each bowl and on rim of each foot: [maker's mark, a ram's head within a shield] [the town mark for Nuremberg, an "N" within a shield] Marks, in ink: [inventory numbers] 'R.B.K. 1954-21' (Rijksmuseum) and 'NK 3220' (Stichting Nederlands Kunstbezit)
Provenance
Jacob Starck [1550-1617] (Nuremberg, Germany). probably by 1885, Baron Mayer Carl von Rothschild (Frankfurt, Germany)
June 12-13, 1911, sold by (Galerie George Petit, Paris, France) "Orfèverie Allemande Pierres Dures Montées provenant de l'ancienne collection de Feu Mr. le Baron Carl Mayer de Rothschild de Francfort," lot 25
(J. and S. Goldschmidt, Frankfurt Germany)
by 1912, Eugen Gutmann
1925, bequeathed to his son Fritz Gutmann
1940, confiscated by the German National Socialist (Nazi) government
1945-1946 until 2002, Stichting Nederlands Kunstbezit [later renamed Instituut Collectie Nederland] (Netherlands)
2002, returned to the heirs of Fritz Gutmann
June 11, 2003, sold by (Christie's, London, England) "Important Silver Including Three Magnificent Renaissance Silver-Gilt Works of Art from the Collection of Fritz and Eugen Gutmann," lot 162
(Galerie Neuse, Bremen, Gemany)
2003-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance and its important function in the museum, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Luthmer, F. Der Schatz des Freiherrn Karl von Rothschild. Meisterwerke alter Goldschmiedekunst aus dem 14-18 Jahrhundert, 1885, pl. 47. [The cup illustrated appears to be identical to the present example, but the list of illustrations notes, presumably erroneously, that the cup bore a maker's mark which is now known to be that of Alexander Treghart.]
von Falke, O. The Art Collection of Eugen Gutmann. Berlin, 1912, p. II, cat. no. 114 and pl. 27.
von Falke, O. "Die Neugotik im deutschen Kunstgewerbe der Spätrenaissance." Jahrbuch der preussischen Kunstsammlungen 40 (1919): p. 85, pl. 5.
Rosenberg, M. Der Goldschmiede Merkzeichen. Frankfurt, 1925, vol. 3, p. 124, no. 4033 b.
Honour, H. Goldsmiths and Silversmiths. New York, 1971, pp. 87-88 (ill.).
Hayward, J. Virtuoso Goldsmiths and the Triumph of Mannerism, 1540 - 1620. London, 1976, p. 384, pl. 482
Hernmarck, C. The Art of the European Goldsmith, 1430 - 1830. London, 1977, vol. 2, p. 46 (fig. 118).
Important Silver Including Three Magnificent Renaissance Silver-Gilt Works of Art from the Collection of Fritz and Eugen Gutmann. Sales cat., Christie's. London, June 11, 2003, pp. 156-161.
Glanville, P. "Mayer Carl von Rothschild of Frankfurt: Collector and Patriot." The Magazine Antiques (October 2005): pp. 144-149 (ill.).
Darr, Alan. P. and Brian Gallagher. "Recent acquisitions (2000-2006) of European sculpture and decorative arts at The Detroit Institute of Arts." The Burlington Magazine 149, no. 1251 (June 2007): p. 450, pl. V (ill.).
Bulletin of the DIA: Notable Acquisitions, 2000–2015, vol. 89, no. 1/4 (2015), p. 27 (ill.).
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Credit Line for Reproduction
Hans Petzolt, Double-Cup, 1596, silver, gold. Detroit Institute of Arts, Museum Purchase, Robert H. Tannahill Foundation Fund, 2003.65.1.
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