Departure of the Volunteers of 1792 (The Marseillaise)

ca. 1835

François Rude French, 1784-1855

On View

Era of Revolution, Level 3, South Wing

Departure of the Volunteers of 1792 (The Marseillaise)

Departure of the Volunteers of 1792 (The Marseillaise): 1 of Collection Gallery

Departure of the Volunteers of 1792 (The Marseillaise): 2 of Collection Gallery

Departure of the Volunteers of 1792 (The Marseillaise): 3 of Collection Gallery

Departure of the Volunteers of 1792 (The Marseillaise): 4 of Collection Gallery

Departure of the Volunteers of 1792 (The Marseillaise): 5 of Collection Gallery

Departure of the Volunteers of 1792 (The Marseillaise): 6 of Collection Gallery

Departure of the Volunteers of 1792 (The Marseillaise): 7 of Collection Gallery

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About the Artwork

François Rude commemorated a crucial moment in modern history through the powerful language of classical allegory. The Departure of the Volunteers of 1792 honors France’s first citizen army, formed in response to a threatened invasion by a Prussian/Austrian coalition intent on restoring the deposed Bourbon monarchy. Dressed in classical armor and carrying ancient weapons, men ranging from youth to old age rally under the command of a fierce, female warrior. Born up by wings and wearing a Phrygian cap (worn by freed slaves in Roman times), she represents the victorious spirit of Liberty, conceived as the embodiment of France during the Revolution of 1789. This highly finished plaster relief—one of a few of Rude’s models to survive—so closely resembles the final version sculpted on a colossal scale for the Arc de Triomphe on the Champs-Elysées in Paris that it may have served as a guide for the stone carvers.
From Bulletin of the Detroit Institute of Arts 89 (2015)

Title Departure of the Volunteers of 1792 (The Marseillaise)

Artwork Date ca. 1835

Artist François Rude

Life Dates 1784-1855

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Original plaster model

Dimensions Unframed: 42 × 24 1/2 × 7 inches (106.7 × 62.2 × 17.8 cm) Framed: 51 1/2 × 36 1/2 × 7 inches (130.8 × 92.7 × 17.8 cm) Including base (depth including bracket mount): 10 1/2 inches (26.7 cm)

Classification Sculpture

Department European Sculpture and Dec Arts

Credit Founders Society Purchase, Robert H. Tannahill Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2001.67

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Provenance

2001-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Darr, A. P. "Two newly acquired sculptures by Rude and Rodin in the Detroit Institute of Arts." In La Sculpture en Occident: Etudes offertes à Jean-René Gaborit, ed. G. Bresc-Bautier et al. Paris, 2007, pp. 272-83.

Darr, A. P. and B. Gallagher. "Recent acquisitions (2000-2006) of European sculpture and decorative arts at The Detroit Institute of Arts." The Burlington Magazine 149 (June 2007): 453, pl. XIII (ill.).

Bulletin of the DIA 89, no. 1/4 (2015): 14-15 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

This work is in the public domain.

François Rude, Departure of the Volunteers of 1792 (The Marseillaise), ca. 1835, original plaster model. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Fund, 2001.67.