David

ca. 1470

St. Cecilia workshop German, 1450-1475

On View

European: Medieval and Renaissance Gothic Chapel, Level 2, West Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title David

Artwork Date ca. 1470

Artist St. Cecilia workshop

Life Dates 1450-1475

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. German

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Stained glass: pot metal; white glass and silver stain

Dimensions ----------

Classification Stained Glass

Department European Sculpture and Dec Arts

Credit Gift of Mrs. Ralph Harman Booth

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 49.546

Markings

Inscriptions Inscribed: David Ihrlm q edificat ut civitas illi eiu ascenderut." Ps. 121:3 [translation: David: Jerusalem, which is built as a city, which is compacted together.]

Provenance

Frederick Sidney (Moreton, Holly Place, Hampstead, Middlesex, England);
December 9, 1937, sold by (Christie, Manson & Woods, London, England) lot 74;
(Frank? [unidentified dealer] Zurich, Switzerland);
Ralph and Mary Booth (Grosse Pointe, Michigan, USA);
1949-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

"Family Art Game," DIA Advertising Supplement, Detroit News, April 14, 1985, p. 2 (ill.).

Stained Glass Before 1700 in American Collections: Mid-western and Western States (Corpus Vitrearum Checklist III). Studies in the History of Art, vol. 28. Washington, DC, 1989, pp. 158-159 (ill. L).

Raguin, V. and H. Zakin. Stained Glass Before 1700 in the collections of the Midwest States (Corpus Vitrearum United States of America 7), vol. I, Illinois, Indiana, Michigan. London, 2001, pp. 176-186.

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Catalogue Raisoneé

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Credit Line for Reproduction

St. Cecilia workshop, David, ca. 1470, stained glass: pot metal; white glass and silver stain. Detroit Institute of Arts, Gift of Mrs. Ralph Harman Booth, 49.546.