About the Artwork
The form of this corner cabinet reflects the simplicity and elegance of Chinese design, a source of inspiration, together with Japanese art, to many artists in the Aesthetic Movement. Depicted in the Pre-Raphaelite style in the central panel is Lucretia, a Roman matron whose suicide after being violated by the son of the king of Rome caused an uprising that resulted in Rome becoming a republic. Lucretia's virtues are inscribed in the halos of the two figures on side panels: CASTITAS (chastity) and FORTITUDO (courage).
Corner Cabinet
1873
Charles Fairfax Murray (Artist) English, 1849-1919 Edward William Godwin (Artist) English, 1833-1886 (Manufacturer) Collinson and Lock
Rosewood, painted panels, brass
Overall: 74 7/8 × 31 1/8 × 25 1/8 inches (190.2 × 79.1 × 63.8 cm) Overall (cabinet): 39 1/4 × 31 1/8 × 25 1/8 inches (99.7 × 79.1 × 63.8 cm) Overall (base): 35 5/8 × 31 1/8 × 22 inches (90.5 × 79.1 × 55.9 cm)
Furniture
European Modern Art to 1970
Founders Society Purchase, European Sculpture and Decorative Arts General Fund and the Honorarium and Memorial Gifts Fund
1985.1
Public Domain
Markings
Signed, on central panel of Lucretia, for: CFM [for Charles Fairfax Murray]
Inscribed, ob central panel of Lucretia: Lucretia Nimbus Inscribed, on left door: CASTITAS Inscribed, on right door, on Halo: FORTITUDO
Stamp, inside third drawer: COLLINSON & LOCK Stamp, inside top drawer: EDWARDS & ROBERTS
Provenance
Lord Glenconnor (Colin Tennant);Haslam and Whiteway Ltd., London, England);
1985-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
Please note: This section is empty
The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
Suggest FeedbackPublished References
The Furniture Gazette, September 7, 1878, p. 158.
The Furniture Gazette, March 1, 1879.
The British Architect, July 12, 1878.
Smith, Walter. Masterpieces of the Centennial Exhibition. Vol. 2, The Indutrial Art of the International Exhibition. Philadelphia, 1876, p. 168.
Bulletin of the DIA 62, no. 2: Annual Report. (1985): p. 32 (fig. 23).
Aslin, E. E.W. Godwin: Furniture and Interior Decoration. London, 1986, p. 17, no. 42, (figs. 18, 42).
In Pursuit of Beauty: American and the Aesthetic Movement. Exh. cat., Metropolitain Museum of Art. New York, 1986, pp. 150-151( fig. 5.9).
Barnet, P. "From the Middle Ages to the Victorians." Apollo 124, no. 298 (December 1986): p. 505.
Kinchin, J. "Collinson and Lock, manufacturers of artistic furniture." Connoisseur 201, no. 807 (May 1979): p. 51 (fig. 8).
Cooper, Jeremy. Victorian and Edwardian Décor: From the Gothic Revival to Art Nouveau. New York, 1987, p. 141 (ill.), fig. 330.
Darr, A.P. "European sculpture and decorative arts acquired by the Detroit Institute of Arts 1978-87." The Burlington Magazine 130, no. 1023 (June 1988): p. 500 (fig. 115).
Weber Soros, Susan. The Secular Furniture of E. W. Godwin. New Haven, 1999, p. 208 (ill.), no. 332.
1900 British Masters. Exh. cat., Oscar Graf Decorative Arts at TEFAF, New York, 2017. Paris, 2017, pp. 6, 10 (ill.).
Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.
Suggest FeedbackCatalogue Raisoneé
Please note: This section is empty
Credit Line for Reproduction
Edward William Godwin; Charles Fairfax Murray; Collinson and Lock, Corner Cabinet, 1873, rosewood, painted panels, brass. Detroit Institute of Arts, Founders Society Purchase, European Sculpture and Decorative Arts General Fund and the Honorarium and Memorial Gifts Fund, 1985.1.
Feedback
We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction or improvement.
Suggest Feedback
